Criticism of ‘Love Again’, great love ballad with Sam Heughan
Jim Strouse presents in 'Love Again' the sublimation of the romantic overcoming drama via the tempo, with Priyanka Chopra, Sam…
Emily
Criticism of ‘La mala familia’, the Spanish documentary of the year
Nacho A. Villar and Luis Rojo direct 'La mala familia', the story of some kids who look at their past…
Criticism of ‘The good companies’, a coming-of age in the Basque Country
Sílvia Munt directs 'The Good Companies', the story of the Basauri 11, a group of women who fought for free…
Criticism of ‘My crime’, Ozon returns more lucid
François Ozon directs 'My Crime', a title full of nods to the screwball comedies of golden Hollywood that, however, feels…
Criticism of ‘Siege’, Natalia de Molina and anguish in real time
The new film by Miguel Ángel Vivas, 'Siege', works as a metaphor for the corrupt, the authoritarian, the violent and,…
Criticism of ‘Guardians of the Galaxy Vol. 3’, the best film in James Gunn’s trilogy and a triumph for Marvel
For those who have been disenchanted with Marvel and want to believe again: the third installment of Guardians of the…
Criticism of ‘Sisu’, a new myth of film violence is born
Jalmari Helander presents 'Sisu', a wild ride, as subtle as an ice pick, with a bloody hero to match his…
Criticism of ‘Los buenos modales’, a comedy with family secrets, tuppers and some teardrops
'Los buenos modales', by Marta Díaz, has a splendid quartet of protagonists. Be careful with the prodigious, magnetic, miraculous Carmen…
Criticism of ‘The impatience of the heart’, the painful epic of sincerity
Bille August adapts Stefan Zweig in 'The impatience of the heart', a fall into the personal hells of a soldier…
Criticism of ‘Fatum’, failed robbery with revenge included
Luis Tosar and Álex García star in 'Fatum', a thriller by Juan Galiñanes that makes you question what you would…