The audience of Rede Globo acts due to the soap opera Vale Tudo

Despite the recovery of public rates, the new version of the soap opera Vale Tudo has undergone strong public criticisms. Dissatisfied with the pitch and cast performance, several spectators have resorted to the complaint website here to formalize the ACCLA GLOBO complaints. This is because, according to them, the quality of the remake would be short of one of the greatest classics of Brazilian dramaturgy.

The complaints were recorded in the category “quality of the quality of the product” and underline the defects both in the adaptation of the script and in the interpretation. Interestingly, the station has not responded to any of the 311 complaints recorded in the last six months on the platform, keeping 0% of the return to the public.

Direct criticism of the cast and the discharge of the characters

Among the most recent relationships there is that of a viewer of Paulínia (SP), who ranked the remake as a “disappointment”. “The performances are weak, the characters have lost their essence and many surprising dialogues have been completely unusual,” he wrote.

The bad Maria de Fátima, played by Bella Campos, is the target of specific criticisms. “The actress who plays Maria de Fátima has a terrible performance, without any expression,” said a user. Therefore, many underline that the absence of the dramatic original impact compromises the entire narrative.

Another strong criticism came from Belo Horizonte: “This soap work is beautiful, but it broke, missing this character who has asserted this plot … without this character the soap opera is worth nothing”.

Audience on the rise, but the reputation shaken

Therefore, also with the soap opera reached 26 points and 43% of participation in San Paolo last Monday (14), the largest audience of a soap work of nine since September 2024, the discontent persists. This grows the abyss between Ibope’s data and the critical welcome of the spectators.

It is interesting to note that the frustration of part of the public is not only linked to nostalgia, but to the desire to see a classic treated with the size due. In this way it is the challenge: to keep the audience increasing without ignoring the cry of those who look at it daily.

Source: Terra

Amanda

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