The actor lived freely, loved whoever he wanted without limits and taught us that laughing at yourself is a virtue
“Unlike babies, who are born saying ‘mama’, my first words were: ‘Is that cloak?’.” Ney Latorraca loved being on the cover of magazines, on the front page of newspapers and receiving tributes on TV. She was unapologetically “diva.”
Almost introspective in everyday life, he undergoes a transformation under the spotlight and in front of the camera. It was full of applause and praise. He knew his worth and made himself recognized by the public and the press. He has renounced the false modesty so common in the artistic world.
“There is a Ney who is calm with himself, who thinks with his pains and insecurities, and a Ney who, beyond two people, tap dances and sings,” he revealed. He admitted that vanity was his worst flaw. “…but my humor protects me and shows the ridiculousness of life.”
The actor did not have classical beauty, but he developed the ability to seduce. His charm made him a heartthrob in his early years on TV. Women dreamed of him. His mischievousness also appealed to homosexuals.
Versatility in art – impeccable in drama and comedy – reflected versatility of desire in intimacy: he married a woman and a man. I simply loved, without restrictions. Without shame, he played the role of the macho, the gay and the transvestite. Always convincing.
As fate would have it, he lived his last days in a hospital bed, far from the stage, from his studies, from his fans, from the joy of fame. An excessively discreet exit for someone who deserved an apotheotic ending. It remains for the next life of the immortal, or rather “immortal” (as Count Vlad said) Ney Latorraca.
Source: Terra
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