81 -year -old designer saves black roots to the debut on the CDC

81 -year -old designer saves black roots to the debut on the CDC

The 56th edition of House of Creators This Sunday (27), at the Cultural Center of San Paolo, with five fashion shows that dealt with mourning, struggle, resistance, conservation of female memory and delicacy.




At 81, the debutant Marisa Moura presented a collection that saves black culture, with raw cotton, beets and Iuta looks, with a lot of music, dance and joy. In fact, the voice of the blacks was also represented at the Afro Perifa parade, with a collection called “mourning to fight”, which is aimed at the persecution, which often ends with the death, of the blacks.



Afroperifa parade

The mourning led the presentation of Jal Vieira, who lost his aunt Maria de Lourdes, Lulu, a second mother in March. Already the UMS485 -ll, by Lucas Lyra, saved his memory, when he returned to 2009, when the creator lived in Nebraska, in the United States. And there was beach clothing to wear in the city, from Sherida.

See the details of the presentations

Sheride



Sharida Parade at Creator House

The Ninféia collection of Sherida Sherida Livas opened the last day of the creator’s house is delicate, sensitive, sweet and strong.



Sharida Parade at Creator House

The name honors resistant and changing flowers, while showing lightness and rigidity, to portray the female force in society.



Sharida Parade at Creator House

In inspired beach clothing, but urban desire, since they were made of cotton, the swimsuit arrived with collar and sleeves and the Bicinis was applied in the front and on the back of T -Shirt. Highlight for the top ceramic and gloves made with pink petals.



Sharida Parade at Creator House

Marisa Moura



Parade Marisa Moura

The rescue of the black roots in Brazil is the work of the years of the designer Marisa Moura, who made his debut at the creators’ house with the collection “Black memories, black memories”, using materials such as raw cotton, ute and ropes, as well as tissue flaps, remaking ancestral upcycling techniques.



Parade Marisa Moura

In the casting, black and black of all ages and shapes fill the catwalk of joy, dance and music, with its wide appearance, embroidered with organic and decorated designs with crochet and macramê. “I don’t do fashion. I do culture,” said Marisa “on the red carpet”, just before the presentation.



Parade Marisa Moura

Marisa Moura maintains an NGO with women over the age of 60, whose main objective and spreads and saves black culture from the root. And what has been shown was just that. “We wanted to reproduce what the blacks did in the Senzala.”



Parade Marisa Moura

UMS 458 – LL



Parade of Ums 458 - LL to the creators' house

The streetwear of respect, maximalist at the extreme, paraded on the catwalk of UMS 458 – LL, with the plots, the prints, the keys, the skin, the skin and more. Everything was referred to 2009, the time in designer Lucas Lyra lived in Nebraska.



Parade of Ums 458 - LL to the creators' house

Lucas managed to make an ode against minimalism and quiet luxury, as he said in an interview with “them on the red carpet” before the parade.



Parade of Ums 458 - LL to the creators' house

And this also includes Maxesttampas, which has taken the entire front of some pieces, as well as in excess and prints of prints.

Afro Perifa



Afroperifa parade

Will from the African Afroperifa brand made a strong parade to give a black voice, often killed only because of the color.



Afroperifa parade

“I fight combat. The black bodies in exclusion territories” arrived in slow motion, to cause suspense and fix the breath until the last look in which the model transported a huge bag to the rear with a designed target. At the sound of the fire, he ended.



Afroperifa parade

The show of the show, in addition to materializing the resistance and denunciation, has brought a good and light tailoring streetwear, with coats, clothes, jackets and pants that have brought some prints of black faces designed.



Afroperifa parade

In various shades of brown, the pieces also had a perfume of utility for all types of bodies. The theme of the parade was also translated from long -sleeved shirts, which referred to strength shirts. It highlights for the brown layer skirt, used with brown hooded blouse.

Brand Jal Vieira



Jal Vieira Brand Parade

The mourning, after the death of Aunt Lulu, moved the creation of the parade of the Jal Vieira brand, of the designer Jal Vieira, with a contained and exciting presentation. In the color table, blue and black, with a little green.



Jal Vieira Brand Parade

The first two were the colors that Aunt Lulu wore at the end of her life. But one day he tried a green jacket and loved it.



Jal Vieira Brand Parade

The souvenir of her dear aunt also arrived in the Maxibrins, with stylized photos of her and her family, in a sort of modernized reliquary.



Jal Vieira Brand Parade

The sense of the house, at home, was present in the tapestries of Adamascados tapestries and in the roof bag of the house where they lived. In the soundtrack, songs by Roberto Carlos.

Source: Terra

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