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Camelot: How he was inspired by the heat and disobedience of Alexander Astie

Discussing with his fans in December last year, Alexander Astie returned to the various influences of “Camelot – Part One” and especially the narrative structure of the film, which takes on the archetype called “Angel of Death”.

Released in theaters last summer, Kaamelott – the first part unfolds 10 years after the end of the famous series and specifically tells the story of Arthur’s return to the Kingdom of Logres, after a decade of exile. Although the former king of Brittany thought he had really finished the crown, he finds himself limited and forced to return to the front of the stage, despite her.

A comeback that compares some fans to the time of the Jedi – the same Luke Skywalker in the Star Wars saga.Digital meeting With Alexander Astier, which was organized by Fnac last December. The filmmaker then replied that his feature film had a priori had nothing to do with the return of the Jedi, but on the other hand, he meant another type of film:

“If you want to get into technology, Camelot is the archetype of the angel of death”Explained Astie.

“He has a big name, but much less than that. This applies to all the films that are usually about an old villain, such as Unforgiven. (Ruthless) Or the way of Carlito (Dead end) Or heat. In general, one last step is to be done. The boy wanted to resign and he really had to take one last step. “

Indeed, like Clint Eastwood in The Merciless or Al Pacino Deadlock, King Arthur turns out that fate has overtaken him in the first part of the Camelot.

(…) “With this last blow, he will be struck again.”Continues Astie. “It’s a bit of a biblical thing to say that once you’re part of a morally inferior world, you can not really leave it. The ancient monsters are holding you back and pulling you back. That ‘s what most of these movies do. And that’ s the case with Camelot.”

Returning to the kingdom of Logres, dear hunter Alzagar greeted the Duke of Aquitaine, who described to him the dire situation in which the world has been since Lancelot came to power, and Arthur is still obliged to do what he was born to do: to rule Brittany.

“Even though he thought he would come out in 5 minutes, he sits down at the round table again, goes back to the Camelot and knocks out the bad guy. And all of a sudden, we go here again, he has legs in it.”Explains Astie.

While you wait to find out how Arthur Pendragon’s career in cinema will continue, watch our interview with Alexander Astier for “Kaamelott – Premier Volet” …

Source: allocine

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