What is it about?
Twenty-five years after the end of Season 2, Lars Von Trier delivers the long-awaited sequel to his cult series, The Hospital and Its Ghosts. The new episodes are all the more anticipated because after the death of the two main actors, Ernst-Hugo Jarregaard and Kirsten Rolfes, we thought a compromised third season.
The Danish director signs five hallucinatory episodes that plunge back into the labyrinth of Copenhagen’s Rigshospitalet, nicknamed in Denmark: “The Kingdom”. The supernatural, terror, absurdity also invite themselves into the surreal everyday life of the patients and the medical team. And penetrate every corner of this curious kingdom, from its dark cellars to the neuropsychiatry ward, to the epicenter of mystery.
Among the actors, in particular, Mikael Persbrandt, in the skin of a Swedish doctor with mysterious intentions, Bodil Jørgensen, who plays Karen, a sleeper who has come to rid the hospital of demons, Willem Dafoe, who is perfectly disturbing as a demonic eagle, but also Udo Kier, the favorite actor of Lars von Trier, From the first opus.
The Hospital and Its Ghosts: Exodus, a series created by Lars von Trier with Bodil Jørgensen, Gita Norby, Mikael Persbrandt… 5 episodes from Friday 7 April at 9pm on Canal+ series and available on MyCanal.
A remarkable masterpiece!
Those who approached his cinema realized this Lars von Trier It is a difficult character. Such an assertion is insufficient. His most ardent admirers and his staunchest detractors would all agree.
After a 25-year wait, here he digs into his beloved hospital in The Hospital and its Ghosts: Exodus, the series’ third and final season in five episodes. His famous supernatural series. The sepia-toned world is always the same with an additional HD camera. After dealing with several scandals, health issues and personal challenges over the past two decades, his outlook remains unchanged.
This return after 25 years — and a second season that purposefully offered no conclusion — is no accident. The Danish director gives a direct response here to another high-profile return: with David Lynch’s Twin Peaks: The Return. Like its American counterpart, The Hospital and its Ghosts has not lost its humor in its mix of comedy, horror and absurdity, making it a must-see.
It’s probably the funniest comedy of the year, complete with inept doctors, a lawyer whose office is hidden in a toilet, secret Swedish meetings and a titanic amount of dishes. Von Trier takes undisguised delight in playing with the audience’s discomfort. It takes us out of our comfort zone like Les Wachowski takes Neo out of the Matrix to bring him back to reality.
The series requires a lot of open-mindedness. Often it doesn’t make much sense. It is filmed softly. He doesn’t care about everything, starting with his doctors, at whom Lars von Trier throws red balls for joy. This is a work that will take you to the world of strangeness and absurdity. Von Trier reminds the audience of the flavor of all the shallowness and emptiness of this world with sour jets.
Some familiar faces like it Willem Dafoe Or Alexander Skarsgård following in his father’s footsteps in supporting roles, first as Satan and second as the aforementioned toilet attorney. At the same time, Michael Persbrandt He single-handedly becomes the main attraction of the series.
He takes center stage, playing lead doctor Helmer Jr., the son of the 25-year-old Helmer (played by Ernst-Hugo Jarregar). His funny lines and Persbrandt’s absolutely perfect acting only add strength to the episodes. A veritable pinnacle of incompetence, he becomes Doctor Masculinity at its most joyous.
The story of Exodus can feel like the least important aspect of the series, especially if you deviate from the original characters and plots. Lars von Trier actually establishes an even more expressive dialogue Twin Peaks And have fun playing with mirrors to create a unit for yourself.
He even enjoys doing a totally meta intro with Karen (Bodil Jorgensen) who watches The hospital and its ghosts on television and takes the series at face value. Thus, he goes straight to the kingdom to take over the dead Mrs. Druse.
As with the first two seasons, the director appears at the end of each episode, but this time only his shoes are visible. A person suffering from a disease prefers not to appear on screen. As with the previous two installments, Exodus should be taken as an unrecognizable serial object, a misplaced oddity like a little brother. Udo Kier In the first seasons, here he transforms into a big brother, whose secret will remain a secret.
Get ready for the ride because it’s gonna rock!
Source: Allocine
Camila Luna is a writer at Gossipify, where she covers the latest movies and television series. With a passion for all things entertainment, Camila brings her unique perspective to her writing and offers readers an inside look at the industry. Camila is a graduate from the University of California, Los Angeles (UCLA) with a degree in English and is also a avid movie watcher.
