Adapted by screenwriter Andrea Seigel (lagies) From the non-fiction book of the same name by journalist Marjorie Wallace, Drama silent twins Explore the wealthy but often unhappy real-life world of independent artists June (Leticia Wright) and Jennifer (Tamara Lawrence) Gibbons.
Identical twin sisters, born in 1963 to a Windrშs generation immigrant couple from Barbados and raised in Wales, chose not to speak to anyone but each other for many years. However, they wrote in the pages of highly eccentric but strangely engaging poetry and prose directed by Agnieszka Smochinska (Bait) and his team adapted lyrics for Faye, short songs and stop-motion animations with terrifying puppets that highlight the film throughout the film.
silent twins
Ambitious, but not talking to everyone.
As fascinating as the doublet sisters’ story may be, Smochinska and Seigel’s interpretation of the material is a bit strange: a bit overwhelmed by its own quirks and overly concerned with surface texture and color to help the viewer understand the story. true nature of its problematic characters. .
It might not be a fair comparison, but Silence Twins Very similar, and still not as good as the recent British limited series. landscapers. The collaboration between writer Ed Sinclair and director Will Sharp, starring David Tulles and Olivia Coleman, convicted murderers Christopher and Susan Edwards, is also a story about an unproven mental illness causing tragic problems, with dark humor. I like silent twins, landscapers It revolves around the sterile criminals of an unwanted partner (although Edward’s guilt was far more serious), whose overlapping fantasies add to the playful, self-reflective quality of the drama.
silent twins Feel more like an exercise in voyeurism, less interested in what made the “twins,” as their family called them, more deformed by their weirdness. Even in the girls (in the early stages of the film, Jennifer is played by Leah Mondesir-Simmonds as Juni and Eva-Ariana Baxter), the sisters mirror each other’s movements and check their mutual silence with a shaky look from the corner of their eyes. eye. From the eye. . . Sometimes they attack each other for no apparent reason, cruelty can only be done by brothers.
But beyond the bedroom door, their shared imaginary world is a quirky mix of fairy tale, pop music and bitter romantic clichés. This last component gets them into trouble as soon as they become teenagers (roles played by Wright and Lawrence) and they both come into conflict with an American teen jockey named Wayne Kennedy (Jack Bandera), who moves into the neighborhood and introduces himself. They have huff and sex.
From there, it’s just a short, dizzying move to burn down a tractor shop and steal items worth over 100. posed a great danger to society and themselves.
Once inside and treated in the eyes, the sisters get worse, not better, and become more violent and self-destructive. Ironically, in this final third, the film starts to feel less brotherly and more like Marjorie Wallace (Jodi May) is trying to help them and write their story. sunday timeTransform the movie into the story of another white savior in prison.
At first glance, it seems like the film is only concerned with how racism might intersect with the twins’ journey. The fact that they were abused in a Welsh school, the only black children in the region, is suggested to have played a major factor in their public silence, but the film only addresses that factor. Likewise, very little is said about the institutional racism of the judiciary, which punishes severely disproportionate penalties for minor crimes.
დეგ Then again silent twins He prepares himself for a very dangerous task, to touch a woman’s inner and outer life at the same time, but he doesn’t know how to organize a circle. Visually it is very impressive and above all it loves to break away from its saturated palette of fantasies and the gray reality of the world they lived in, the Welsh suburbs covered in flame shadows and the even more terrible darkness of Broadmoor (obviously location . In Poland). The props are inspired by Katarzyna Lewińska’s wardrobe, all vintage fabrics and dark mohair knits, precision bridge stitching and a pastel color palette in the two worlds the sisters live in.
Finding actors other than identical twins in real life to play sisters has always been a challenge. Instead of using visual effects and a single actor, as The legend, Starring Tom Hardy as the Cray twins, local filmmakers wisely opted for a much simpler and cheaper option to get two women who look alike and simply wear costumes and makeup. Lift them up like you would in a theater. This well underlines how different the twins were in terms of personality, although the girls themselves always tried to suppress this difference. Wright June emerges as a more discreet, introverted twin, and the actress, who is also one of the film’s producers, brings a graceful calm to the role. But it’s Lawrence who shines even more as Jennifer’s extroverted, fragile, brilliant, quicksilver.
Source: Hollywood Reporter
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
