The Palace of Versailles, which is not a historic residence near Paris, is one such place. As you know, a glamorous room to rent to celebrate weddings, receptions and any ritual, needs dinner and DJ. American Italian for New Yorkers somewhere in queens, It is not just a place, but a way of life as a necessary community bathing place and loving play. As you can see from the title, the film embodies general types, but clever writing, non-compulsive directing, and excellent acting give the sentimental but not boring comic drama a confusing specificity and narrative friction that elevates it to where it was made. . .
Working with a screenwriter co-authored with Mark Stegman, Ray Romano confidently makes his first feature film, which is about not the film’s capitalized style of the material, but the perception of its essence, drawing excellent performances from both seasoned professionals. . and novices. He plays Leo Russo, a handsome, close guy. She has been married for many years to her high school sweetheart (Lori Metcalfe) and has worked her entire adult life for a construction company owned by her alpha male (Tony Lo Bianco). Her son (Jacob Ward) plans to graduate from high school and start a family business. When we first see Leo, he is with an extended clan at the Palace of Versailles, deprived of a wedding video recorder, as well as nearly all of their tables.
somewhere in queens
Shots and points.
At work at Russo Construction, Leo’s headstrong, smug brother Frank (Sebastian Maniscalco) surpasses him as a teacher, while a friendly friend and co-worker, Petty (John Manfrelotti), knows how to defuse tensions. Leo is unable to contact his father and mistakenly believes the lines of communication are open with his 18-year-old son Matthew, Styx himself, the star of his school’s basketball team. He’s pleased to see Styx inherit Leo’s deficit, in heroic fashion on the court. “He’s different there,” Leo assures his father, who hears but doesn’t understand.
When the opportunity arises to get a basketball scholarship to Philadelphia College, Leo is more excited than his son and, of course, more than his wife, Angela, the tough guy, who is often angry and questionable, as well as practical and wise. . and still struggling with unknown fears, just a few years after undergoing surgery and chemotherapy for breast cancer. Both Leo and Angela are confused when they find out that Styx has a girlfriend, but while Leo is a little embarrassed by the self-assured Daniel (Sadie Stanley), the skeptical Angela is instantly disgusted with him.
Ward and Stanley’s chemistry is sweet and strong, creating compelling sparks between Styx’s damaged weirdness and Daniel’s experience. Bold and talkative, he impresses with a typical Rousseau dinner on Sunday afternoons at a messy table where Mother Rousseau (June Gable) yells “Mangia tutti!” And the love story flies fast and furious, especially between Frank and Rosa (Dierdre Freel, Physical), who is lonely and still lives with people.
Meanwhile, as his son experiences the pain of first love, Leo feels he’s been flirting with a widowed client, Pamela (Jennifer Esposito, the ideal playing field) for years thanks to the pampering. In the continuation of the story, he describes how parents can set their own hopes and dreams for their children, culminating in intrigue led by a lion and intent on blowing his face off.
From the Beginning to the End, a screenplay by Romano and Stegeman working together on the TNT series Men of a certain age.Pondering the talking people, from “uncertainty” to clever humor, Daniel is quick to point out that he’s not from the “special part” of Forest Hills Gardens, ending with Leo’s tedious encounter. ONE Rocky.
In the story of the middle-aged man and the awakening of the teenager, there are countless moments of selfishness coated with nostalgia. Almost everyone interferes, almost everyone has good intentions and no one is just one or the other. Just as the design work of Annie Simeone Morales and Megan Stark Evans will never declare, Maceo Bishop’s camera and Robert Nassau’s editing are suitably naturalistic and understated. Whether it’s the focus on talking in the car, melting in the doctor’s office, standing on the basketball court, or interpersonal drama in the stands, everything in the film shines through on the characters, and there’s no one who doesn’t shine. .
Directed by Romano and Metcalfe, with a well-established ability to play “everyday” people, the ensemble discovers the pulse of the characters, the nervous hearts. Absolutely no one leaves and everyone learns a thing or two. Some lessons are difficult, but they are mitigated by Romano’s love for the characters. The most predictable and obvious thing about the film is how it pits benevolent Leo and his large, boisterous family against Daniel’s cold, absent, wealthy parents.
As a resident of Forrest Hills (no gardens and, of course, no ritual parts), I wonder about the movie’s title. Brooklynites might say they’re from Brooklyn, but I’ve always met people from Queens who claim to be from Jamaica, Middle Village, Long Island City or Astoria. Romano mostly avoids location details, though those familiar with the city recognize the general mood of Rousseau’s saga. Perhaps that vague “somewhere” is a hug, the Universal Palace of Versailles of the Mind: Gather here to mark the sets, play your assigned role and know where you belong, until something is given to you and appears elsewhere.
Source: Hollywood Reporter
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
