The Kings of the Track: What dream did Mate Kasowitz realize while playing in this movie?

What is it about? Rachel, a kind of Ma Dalton, raised her sons Sam and Jeremy and grandson Nathan in a cult of fraud. From lame schemes to petty theft, this friendly broken-arm family is always up for something big. Coincidence or fate, during the robbery, they steal, without knowing its value, a painting by Tamara de Lempicka. Celeste, a sly and charming detective, and Gautier, her loyal sidekick, set out in pursuit…

Desire for ease

More of a comedy than his previous films, Les Rois de la piste marks a definite break in Thierry Clifford’s work. The director of the film, among others, the thriller “Everything keeps us apart”, explains: “There was a desire for lightness, that’s for sure, especially since we started writing it during the lockdown. It was after everything separates us and my documentary. Andre Techine, Rebel FilmmakerTwo films that are quite busy for different reasons, I wanted a funny, brutal, unexpected, sunny, furious life and at the same time a melancholic story, with love, friendship, big shouts and big reconciliations.

“Talking about family in both its most joyous and… its most toxic aspects. From this place you’ve been assigned from birth, you’ll bring yourself to true existence, at least the one you “We choose ourselves to run away from. some determinism”.

Why a musician?

Thierry Cliffe had an idea a musicianDrawing by Tamara de Lempicka, courtesy of Clip Vogue by Madonna, where this painting appears: “He is the biggest collector of Lempicka in the world. His passion for him has exploded in value. He even has a copy of one of his paintings with his own image. The musician was indeed stolen and it took detectives from the Agence Artiaz, specialized in art, seven years to get hold of him. That’s when they came across An article in Télérama recounting the investigation to find out how the idea was born.

evidence

With Les Rois de la Piste, Thierry Cliffe introduced Fanny Ardan to the cinema for the first time. However, the director filmed it three times in the theater: “He was the first – I was still a journalist for Studio magazine – who pushed me to become a director. Beyond my shyness and my 25 years, without knowing me, he guessed this desire that had driven me since childhood. After life. To wait for you when I thanked For encouragement, he replied, “We only push those on the edge of the cliff,” fan, what… we worked hard together, and it was always done with joy.

“Our three productions (A Year of Magical Thinking, All Days in the Trees, Croque Monsieur) were public and critical successes, so it was quite satisfying for both of us. We see each other often in life.”

Mathieu Kasowitz v. Employment

In the skin of a depressed son and under pills, Thierry Klifa chose Mathieu Kasowitz. The actor was initially unavailable, but was eventually able to participate in the filming. The filmmaker confides: “Mathew’s not afraid to make fun of him. He didn’t hesitate to do a lot of things, which amused him, which is what makes Sam so annoying and endearing. We’re so far from his usual register, La Haine or The Bureau of Legends. It thrilled him. We talked American together. About the great era of comedy, Cary Grant, who was charming and classy and who wasn’t shy about walking around in his pajamas in The Impossible Mr. Baby…”

We remind you that Mate Kasowitz is filming next to him for the first time Fani Ardan. The director of La Haine confides: “It’s been one of my dreams to shoot with actors like him, with the backgrounds, the careers that they’ve had, who’ve been through what they’ve been through, who’ve been through what they’ve been through, who’ve worked with all these directors. And these actors, it’s magical … They’re real women, great actresses who rock. I love it, and with Fanny, we started fighting very quickly, making faces at each other during reverse shots! I didn’t respect her and she, we were like kids…”

Nicolas Duvachel sings the song

With Les Rois de la Piste, Nicolas Duvachel reunites with Thierry Clifford after everything separates us and Les Yeux de sa Mère. The idea of ​​the scene in the song came to the actor himself: “It was planned to be a dance scene. I started working, I did two or three rehearsals with the rehearsal, but to be really successful, I should have done it a year earlier! Also, I found that it hindered the character too much. I thought that through song, especially for me who loves music, who has made music, who has already sung, we could convey a lot more. I’m not a good enough dancer to convey emotions like professional dancers do – and you can’t learn that in two months!”

“I talked to Thierry about it, I told him that I liked the song better and he immediately said yes. We suggested that Alex write the song quite quickly and then we recorded it, even if I had to perform it live during the filming.”