What should I say? Certainly an unforgettable theme that begins with drum beats and a few flute notes, but the soundtrack is also rich in production Golden ecstasy For the race scene in which Eli Wallach (Tuco) runs through a graveyard. The work is so iconic that it will perform Metallica at many concerts. At that time, Morricone collaborated for the third time with the Italian director Sergio Leone, signing a bad composition that combined traditional Indian music, electric guitar and opera.
Once Upon a Time in the West (1969)
From the lyricism that accompanied the plan to the writing that required a lot to discover Henry Fonda’s face and blue eyes without talking about his protagonist’s sharp harmonica: for once all the music of the West takes on a mood. But let’s not forget Cheyenne’s sly and unusual theme, the haunting tavern music (and based on the main theme), and the deliberately parodic “Bad Orchestra” part.
Everything about this soundtrack reminds us that the film is an opera where the images and the music are one. synthetic film.
Maddalena (1972) / Professional (1981)
The piece itself is the so-called Chi-mai and created for the film Maddalena, released in Italy in 1972 and directed by Polish Jerzy Kawalerowicz. The film tells how a young woman in love tries to seduce a priest who has complete doubts about her vow of celibacy. But this work became popular in France only after George Lautner’s performance with professional Jean-Paul Belmondo, whose work. Chi-mai is the main theme and its use in advertising for a well-known brand of dog food. A brand that would be parodied by the Les Nuls par le sketch “Royal Rabbi”. That’s a lot for one topic, but what a topic!
The Relentless Pursuit – Revolver (1973)
Peace friend Remembered thanks to Quentin Tarantino, who used it in Inglorious Basterds, but originally came from Sergio Solima’s The Relentless Pursuit. A very successful thriller, the hero of the film is an ex-policeman turned prison director (Oliver Reed) who is forced to release a petty officer (Fabio Testi) if he wants to see his wife (Agostina Bell) alive again. The exchange goes wrong and the two men are forced to join forces to counter the plot, almost turning the film into a road movie. The soundtrack is a crescendo of tension with a bit more tenderness than the title friendIt is about the budding friendship between an ex-cop and a bandit.
My Name Is Nobody (1973)
A perfect cross between the American Western and the Italian Western (symbolically, respectively Henry Fonda and Terence Hill), My name is Nobody There’s also a reflection on the passage of time, what we leave behind after death, heroism… Underlining this, Morricone’s score is sometimes light (main main theme, fair music) sometimes epic. A great fan of Wagner, Morricone takes the theme of The Walk of the Valkyries and dips it in a Western sauce with flights of string sections. My Name is Nobody would be one of his last original compositions in the genre.
1900 (1976)
In the summer of 1900, two children were born: Olmo (Gerard Depardieu) among the poor sharecroppers and Alfredo (Robert De Niro) in luxury. Their friendship will suffer after the events of the first half of the 20th century, especially political events. This gigantic historical fresco on Italian Communism is also a monument of sensitivity, highlighted by the beauty of the violins and piano, which the director has adapted with great precision to Morricone. Bernardo Bertolucci’s film to (re)discover.
Once Upon a Time in America (1984)
What sounds like a recent collaboration between Sergio Leone And Ennio Morricone lives up to expectations. The pieces immediately bring to mind images of this moving, violent, sublime, melancholic and even nostalgic mural from my childhood. The composer provides an uplifting score that accompanies each moment of Noodle’s life (Robert DeNiro) for more than forty years. Proof of this is known Deborah’s threadDedicated to the character played by Elizabeth McGovern.
Composer Hans Zimmer turns a blind eye to this Deborah’s thread at the beginning of the song Maestro In The Holiday soundtrack:
The Assignment (1986)
“I really should have had a mission. Especially if you consider that the winner “Around Midnight” was not an original composition (…). It was theft! But if I listen to myself, I get an Oscar every two years. !” Morricone said without humor guardian in 2001. Inspired by both church songs and tribal rhythms, Morricone created a haunting and immediately identifiable music for Roland Joffe. great art
The Immortals (1987)
When Morricone tackles a gangster film, he does a better job of emphasizing the ambiguities and feelings of the characters. We remember the flights of violins on the suspension of the so-called “Landau” firing, the firing of trumpets, but also the presence of a harpsichord or a mandolin. “Maestro” covers Brian’s film from Palma A theme accompanied by a brass section that is distantly reminiscent of the iconic work of Clan des Siciliens (1969).
Cinema Paradiso (1989)
In this selection of the first of three Giuseppe Tornatore films, Cinema Paradiso recalls the director’s memories of his childhood and the love of cinema passed down to him by a projectionist in his hometown. One of the best tributes to cinema and the emotion it can convey, Cinema Paradiso Accompanied by intense music that captivates viewers who have not seen the film. And the duet between the young Salvatore and the projectionist, played by Philippe Noiré, is reduced to tears.
Legend of the Pianist in the Ocean (2000)
Obviously not the most famous of Ennio Morricone’s musical films, but a crazy lyricism emerges from this very “Hollywood” composition, which is the legend of the pianist in the ocean. In this film, the director Giuseppe TornatoreTim Roth portrays “1900”, a child found on the deck of a boat. One day he discovers an innate talent for music and more specifically for the piano. Refusing to leave his boat, his life is turned upside down when he is told that the ship is slated for demolition. Morricone in particular creates (at minute 10 of this video) an ultra-fast piano suite that borders on virtuosity:
Malena (2001)
In Italy during World War II, a widow turns the heads of her villagers with her stunning beauty. A 13-year-old boy also falls madly in love with her and tries to help her face the behavior of the residents. A new collaboration between Morricone and Tornatore, Malena’s score features a melancholy atmosphere created by a clarinet that emphasizes the loneliness of this woman, played by Monica Bellucci. We also find a few notes of the occasional pan flute, which would not have pleased another great name in film music composition: Vladimir Cosmas.
leading sky (bonus)
A fairly unknown western, but released on DVD by StudioCanal, Leaden Sky is directed by Giulio Petroni, to whom we owe some of the best Italian westerns, such as Tepepa, A killer named Luke or Death was there. In The sky of leadGiuliano Gemma portrays a young explorer who plays Harry (Mario Adorff). Secretly, Tim is being followed by a killer and his gang… The presence of this “small” film in this classification is justified by the composition, which emphasizes the tragicomic aspect of the film.
We start with a guitar slide on a whistle, then violins mixed with electric guitar and finally horns come in to accompany the action scenes and give width throughout. original title poetry, And the sky of stars for the roof, highlighted by more than one theme from Morricone’s score. A film to be rediscovered with wide viewing.
Source: allocine
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
