Jane Hakman’s Death: Moveless, Scarcrow … Here are 5 essential films that must have been

No matter that Jane Hakman – her real name, Eugene Allen Hakman – left her acting career with an anecdotal performance with a harmless and forgotten film, Welcome to Mooseport in 2004. The actor was an absolute legend of cinema.

Two Oscars, in the auxiliary role of the best actor, for his extraordinary composition, and the best actor of no less fabulous French union, Jean Hakman performed in a hundred roles, several masterpieces and / or very big films.

Let’s discuss: Burning Mississippi, under the fire, Dominos Theory, Bonnie and Cleed, L’Ecouvantail, Palme d’Or skin in 1973; Superman; Francis Ford Coppola’s secret conversation, another palm of gold; Arthur Penn’s fugue; Wes Anderson’s Tenenbaum Family; Warren Beat’s excellent film, Reds; The classic war film bridge is very far away; Late Tony Scott’s solid USS Alabama; Delicious comedy get short …

The actor was lifeless with his wife in Santa Fei, the actor was 95 years old. The tribute to the great actor, who has always been reluctant to the sirens and the Hollywood glamor, which he hated, with five basic roles.

French Union (1971)

Hakman found the notary late, thanks to the role of Buk Barrow, which was offered by Arthur Penn in his masterpiece Bonnie & clydeIn 1967. The actor was then 37 years old. Excellent that his composition won the Oscar for the best auxiliary role in the Oscar. The first out of five in his career.

But if Penn’s film was the first step – most importantly – in his career, he had not yet become the chief actor he deserved. This will be done French By William Friedkin in 1971. Brilliantly supported by Tandem Roy Shender and Fernando Ray, Jane Hakman, an extraordinary composition of an unjustified and cruel policeman Jimmy Doyle, known as “Popey”.

A character that is not sympathetic elsewhere and who is not trying to be. A difficult role for an actor who has offended violence. He was also not the director’s first choice, but the last remedy, and Friedkin admitted that he would sometimes push the actor into his covers, so he finally agrees with the best qualities of himself.

The actor will not only be brilliantly performed, but he will enjoy the embodiment of the same character and deepen the excellent suits, the French connection II, in 1975, has always been slightly evaluated compared to the original model, which has left a trace in the police genre.

L’écouvantail (1973)

In one sense of being Scarecrow He is undoubtedly one of the most unknown films in the actor’s filmography, but he is, of course, one of the best. Jerry Shatzberg’s road film picaresque, the film, features two men friendly, sharing the last match on the edge of the highway. One, the lion who is in the mood of Al Pacino, is going to return home, abandoned for several years and the child he has not seen.

Max, playing Gine hackmanIt only comes out of prison, returned to the country to install a gas station. A frustrating film about wandering and friendship that travels, Jean Hakman is once again brilliant in a difficult role, but in which he can expand the range of his talents.

At first glance a rather antipathetic and quiet character, but can also be sweet. This film, also interested in the party, is its favorite in all of its filmography. This also explains its frustration and its capital bitterness in the wake of the very bitter commercial failure of the work. But who did not interfere with Scarecrow In 1973 to find Palme d’Or at the Cannes Festival. If you have never seen this movie, you know what to do …

Secret conversation (1974)

The 1970s were the authentic golden age for Jane Hakman. Barely after a year ScarecrowHe is a title that looks like a rest Francis Ford CoppolaAfter his divine pharaohnik. For shooting 56 days and for $ 1.9 million for the envelope, it is a fabulous neo-black film: Secret talk.

Hakman portrays Harry Kaul, spinning ace, the best “plum” that is obliged to follow the couple and record their conversation. Here, Coppola is very skillfully playing with spy / paranoid thriller codes, with which it is fusion of intimate drama. It can be an absolute expert in his field, as well as remains shy and introverted, beloved, alienated.

If Hakman appears brilliant in the film, he also had big problems with the character’s skin. Already because of a strong relationship with Copola, but, above all, because the director’s very recognition, “Harry Kull’s character is primarily a concept, not a character.”

Not dissatisfied, Hakman will say much later Interview of the river in 1988This “Working relationship and this experience was one of the most interesting in his career.” He left a few months before Richard Nixon’s resignation and Watergate’s detection.

Mississippi Burning (1989)

Based on the true story, even if the work loans historical and actual shortcuts that are sometimes unlikely, Alan Parker’s strong film is made in 1964. Three activists of black civil rights disappear with mysterious. Two FBI agents are responsible for this case. Very quickly, the methods of intimidating Alan Ward and Rupert Anderson, in particular, Klu Klux Klan …

Called the Oscar for Best Actor and in 1989 for Best Actor in Berlinal for Silver Bear, Jean Hakman is extraordinary in his role as a FBI agent and a former racist sheriff in the south of the United States.

Sometimes the humorous and warm touch in the absolutely frozen and terrible context, it even flys to the rest of the casting of the show, which is very far from Demeritis, Willem Dafo, Francis McDormand, Michael Muker, Brad Durif, and R. Between Le Ners. “I like baseball. This is the only time when blacks can make a white man in a bush brand without rebellion!”

Below, for fun, “close shaving” sequence between Jane Hakman and Brad Durif …

Medicious (1992)

It is obvious that this selection should not be mentioned in the service that the actor received his second Oscar as the best auxiliary role, for his fabulous composition, with the properties of a little Bill.

The dreamer sheriff, who was brutal and sadistic murder, was obsessed with the idea of ​​building his home and his porch, the excitement of the sunset. We also bless the actor that we finally got the role: Clint Eastwood’s film script has moved out of hand for 20 years. During this time, Jane Hakman Louven, and not so satisfied with the result, refused to do so.

Throughout RelentlessThe genre could not dream of a more beautiful twist. The West, which performs the West with such a radical, you need to return to the last Ford to find equivalent. Yes, America was born in blood and it was dirt. Eastwood tells us about each plan. As for the characters, it seems that moral ambiguity has been polluted.

If bad guys are real bad guys (Jean Hakman’s ice with his wild), the Gentiles are a little better, this will start from this William Moon that the Grand Clint is depicted. The former hitman “Kill almost everything that works or crawling at one time or another time”, It has changed, but violence only demands restoration.

Below is a well -known sequence where a little Bill Dageth wildly Wake Killer English Bob (excellent Richard Harry), which works in railway companies. “Long time Bob! Are you a Chinese?”

For so long artist …