Noted from 4.4 to 5, this is one of the best films of Edward Norton, and it was a great failure 26 years ago when it came out

An attempt to revenge his father’s death by a black dealer, Derek married the racist topics of a group of distant activists and the service of his leader, a brutal theorist who supports the supremacy of the White Race.

One evening, he roughly killed his younger brother Sunny, two blacks who tried to steal a car from him. His imprisonment will bother him with his faith, and when he left prison, he is no longer the same. But Danny in turn joined his old “friends” …

When reading the previous synopsis, some of you may have been recognized as a terrible (and obviously tragic …) history, signed by Tony Kay and came out with us in 1999: American History X. It is a misunderstanding to say that his closed discovery had the energy of theological pressure.

Unusual Edward Norton

The film is being made by Edward Furlong, who still improves his means before coming to hell for years due to drug addiction problems. And especially in the role of Eduard Norton’s older brother, who also quotes Oscar.

Quite normal, even with Malinger’s physics, Edward Norton, the composition actor perfection, was locked in a bodybuilding room for several weeks to win a 15kg muscle mass that is essential for American history character x.

High voltage shooting

The film, unfortunately, will be a great internal failure; It will not even collect US $ 24 million in international cash registers. In fact, the film was very tense between Norton and the director. The actress put the salt grain so much about the script and copied that the director wanted to leave the ship.

Finally, it was Edward Norton, backed by the New Line Cinema, who took care of the final assembly, playing the film in the back of the film. Tony Kay then tried to leave his name on the lendance that he was going to a lawsuit against the Union of Directors and the new line -up cinema demanding Alias ​​(now disappeared) by Alan Smith.

In vain, because the union said, the filmmaker would violate one of the rules in the press of announcing why he wanted his name. He went wrong in the columns of Variety and explained that Norton had covered the last quarter of his film’s clock …

Twenty -six years later, the power of American history has absolutely lost its strength, on the contrary. This is completely relevant in Trump America, where white supermistic movements have more than ever in chapters.

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