“Our Childhood Hero Who Failed to Save the World”: Reflection in the Dead Diamond, Jewelry between James Bond and Lucino Visconti

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Referred to artwork, with antithetic inspirations

After the sudden disappearance of a neighbor’s neighbor, a former secret agent (Fabio test), which was located in the Cote -D’Azuri Palace, he imagines that his oath enemies have been renewed. A particularly powerful snake (Thi-mai nguyen), which he failed to expel.

Between the present and the past, he plays the film of his life to determine that he did not play the best role. And these diamonds are far from eternal …

A dishonest reference to spy films and more specifically on the mythical figure of a secret agent (considering James Bond), but also about his European variations-the heart of Eurospy-Such, as the famous OSS 117, the dead diamond reflects. Prosecutor’s Office and gadgets, fatal women and large -scale criminal operations, as many recurring elements are strongly respected by the specifications of this millimeter feature film, signed names of Hélène Cattet and Bruno Forzani (let the bodies, bitterness).

But far from being mimicry, the dead diamond reflects its firmness from its kinematical hybridization, refusing to limit its instructions to the typology of films and drawing on them, moreover, from the wealth of the productive era: 60s. Consequently, “Bondi” inspirations are combined with the Mediterranean accents, especially recalling the iconic works of filmmakers, such as Grand Luchino Visconti (Cheetah).

“” “It all started from vision The way to nowhere * Monte Helman In 2010, in which the Fabio Test was already playedTell Hélène Cattet and Bruno forzani. He asked us about Sean Conner and his white costume sent us to Dirk Bogard, Venice de Wiscon. It was at this moment that we said to ourselves, “Why don’t you imagine a world that combines James Bond with the death of Venice, with two anti -kinos?”. “

Exquisite modernization of iconic genre …

However, the dead diamond refuses to transfer a tribute to a simple tribute to the genre of spies, graduating from the universe as well as on the 7th art, as well as the political, as a metaphilm, the feature film is trying to make the simplicity of the secret films of the agents to offer a subtle contemplation of modern social issues.

“” “Over the years, according to exhibitions that grew up, from the world in which we live, the places we are familiar with, etc. … this world has taken the formExplain Hélène Cattet and Bruno forzani. The idea was not to pay tribute, but to develop different topics that influence us from this world. One of the first topics that was removed is the hero of our childhood who failed to save the world. And who even contributed to his decadence. ”

Abandoning the idea of ​​an indestructible and seductive agent’s secret, which develops in an abundant society that is distant from any realistic concern, the dead diamond reflects its intrigue in the modern prism of 2025, which often occurs in the flaws of the male spying figure.

… Worn pop and colorful artistic direction

Far from a simple public manifesto, a dead diamond reflection, a real staging jewelry, turns out to be: colors, lights and dream -like images, feature film processes delicious vintage aesthetics and multiplies about almost chimeric visual effects.

Pop – and a modern clip, which is a delicately granular film image, which from the beginning to seduce the film buffets, shines the dead diamond reflection on a charming and mysterious aura, which brings viewers to a dreamy trance, where childhood is a cinematic imagination.