“We are leaving this movie as a wake up dream”: noted that from 5 to 3.7, this is a movie that is absolutely visible this week!

Oslo trilogy, directed by Dag Johan Hauger, ended this week in our dark rooms in our last part: Wish. This dramatic comedy, which has been well received by the French press: on average from 5.7 to 5, is the best film of the French press: on average 5,7 to 5.

What are you talking about?

The fireplace, the happy father, as a couple, with his wife for years, has an unexpected adventure with the client … he does not consider him to be the expression of latent homosexuality, nor the unbelief, as well as the experience of enrichment.

She opens her husband, who is going badly, then married to her boss, like her, who admits her every evening, in which she is a woman, the object of David Bowie’s desire …

What does the press thinks:

According to the group:

“A strong talent for Johann Hugerood, which could have been trivial. Directly represented under their potentially repressed desire. Two heroes immediately faced masculinity.” By Helen Robert – 4/5

According to Critikat.com:

“The desire, more modest than other components, recalls that the project of Hagerood is less tribute to the city than the evolution of some bone fate.” By Marin Gerrard – 4/5

According to Alzas’s latest news:

“We come out of this movie as a awakened dream, loaded with all of these questions that we only ask in half a word because they are vertical.” By Natalie Chiflet – 4/5

According to Le Figaro:

“Some warmth, sweet intimacy of these dialogues, where Rohmeri would often reduce.” By Eric Nehof – 4/5

According to Inrockuptibles:

“This ballet of feelings is liberated between any continuity between the episodes, barely a place or a secondary character to act as a reminder, but there is a huge reflection where the arguments and hypotheses of the story are completed or notified of others.” By Nicolas Moreno – 4/5

According to the liberation:

“Beyond the specific stories that make desire, dreams and love, movies, first of all, namely, unconditional and contagious love for the circumstances that, for example, consider the infinity of individual fate throughout the city.” Clément colliaux – 4/5

According to the positives:

“The features of writing, the elegance of the erection and the quality of interpretation are all interests in the abundance of very singular films.” By March status – 4/5

By abuse of cinema:

“” Desire “then embodies the introspection of a wonderful man who is reinforced by fair sex questions or opinions, not only about sex, as in sex, but also in public or couple expectations.” By Olivier Bacelard – 4/5