The best movie of the week is “Huge in Truth”

3 Best Movie Press:

1 Sorry, baby – 3.8/5

“The journey of this bruised character is mediocre.” Emmanuelle Spadacenta (Cinemateaser)

“Eva Victor’s first film tells the story of a traumatic shock diffuse back. No staging, drama, sensitive and sophisticated, manages to find the right distance.” By Simon Hoareau (Movie Sheets)

2nd: Dangerous animals – 3.6/5

“Dangerous animals are perfect after the entertainment beach that we remember from the final credits long after. Summer film?” By Pascale Vergereau (Ouest France)

“That the cinema still invent the inventions of such colorful bad guys and he always surprises the surname, it will be a miracle of summer.” Emmanuelle Spadacenta (Cinemateaser)

3rd: Something that you kill – 3.3/5

“It is chilled and spectacular, the Turkish cinema shines on its Anatoly.” By Gel Golhen (first)

“By playing with the laws of optics in certain scenes,” The Things You Kill “opens the cross – and thus distinguishes it from a trivial movie with Black fate and turns it to be.” By Adrien Mitterrand (Critikat.com)

3 Best Film by viewer:

1 Fantastic 4: First steps – 3.8/5

“I spent a great deal of time. I was amazed at the visualization. Whether it was a retro-futuristic city combined with a blue and Catholic screen, or space with unparalleled special effects. The story is consistent, touching and convincing. By Florian Marcellot

“Image grain, actors’ games, history: Simplicity makes the best amazing success from EndGame.” By Olitoma

2nd: In the following days – 3.6/5

“A very excellent film celebrated in the year of cinematic school year. The realization is simply impeccable. The script generates a pretty brilliant suspension to make the best American works of the surname” Thriller “. Actors are stunning.

“Vaness Ciné Citizen Festival’s first edition is seen as part of the three characters that built around violence and toxic relationships. Although the nuances and contradictions, the scenario is incredibly advanced.

3rd: Sorry, Little – 3.5/5

“The message is subtle, loose by its construction, strong with its denunciation, perfectly interpreted, the film that touches the heart. And it feels good.” Franciphout with

“Finally, a good feminist film is fair and sophisticated on a strong subject: How to use sexual abuse?” Alexander F.

* According to the notes of Allociné Barometer, on July 25, 2025, on July 23, in the films published in theaters, at least 10 criticisms, for the best press. Above this does not understand the films that have already been released one or more times.