Only 5 seconds on screen: Several viewers noticed the appearance of this movie legend in a taxi driver

In 1976, Martin Scorsit Dynamite Cinema World with a Taxi Driver, a major work that will become a wonderful classic of the 7th art. In one of the most mythical roles by Robert de Niro, he tells us about the history of Vietnam War Veteran’s Travis Bikli, who is experiencing traumatic stress.

He became a taxi driver in New York, working at night because of insomnia. His night meetings and daily violence, which will gradually lose his witnesses. He soon cares about delivering a small prostitute for his pimp.

Charming and annoying

If you know the film well, there is no doubt that you remember the appearance of Martin Scorsese, which plays a small role with Robert de Niro. The filmmaker portrays a disturbing passenger of Travis’s taxi; Turn off by his wife, he is going to kill her and her girlfriend with 357 magnum.

As fascinating as worrying, this character is awesome by the sober demonstration of his inner rage. Misogyny and a monologue full of racism, along with the Olympic calm, will reveal his cruel plan. This intense and memorable scene was not planned. Indeed, Martin Scorsese replaced the actor at the last moment because of the injury.

Obviously, the filmmakers recognize the director, this sequence of one of the most important in the film. However, did you know that Martin Scorsese was creating a buffalo at another moment of the story? The latter is much more pilot and only lasts the fist.

March will notice the shade

We are 10 minutes and 35 seconds after the start of the movie. Travis writes a few lines on Betsy in his newspaper, a young woman with whom she fell in love with Cybill Sheperd. We see that he walks through the streets of New York and entered the building, which is distinguished by the voice of Travis.

Using a small effect of Scorsese, scorsese films perform Betsy’s entry into the building with some poetry expressed in tenderness. If you look good with your eyes, you will find that the director will appear in the field in person. He sits on a small low wall, silently observing the young woman.

This appearance, with amazing elegance, has a dreamer grace that means the rest of the movie. His angry walk, it symbolizes a certain paranoia that developed Travis, which takes the form of Martin Scorsese’s gaze; The latter seems to be controlled by Bets in his smallest actions.

Voyeur

Man is frozen in passive supervision, almost in the posture of Voirism, as a silent witness to this alienated urban world (quite funny when you know that one of the favorite films of Scorsese is Voyeur).

This puts the feeling of discomfort, as if this character was a Travis martyrdom, who was in the shadow, was stuck with unhealthy, unhealthy Bets.

We can also decipher a certain increase in the power of bickle alienation; It moves from a passive observer to a dangerous psychopath that can make a violent act. In addition, this little codo can also symbolize the role of the filmmaker himself, which looks and reveals the sick world in the eyes of the world, while participating.