“An incomprehensible thriller, which is an extraordinary actor”: noted that from 5 to 3.9, this is a film that is absolutely visible this week!

The third feature film of Iranian Nader Samir, after Namo (2020) and No End (2022), a woman who knew too much came out of our dark rooms this week. This strict dramatic thriller, which the City Hall is carrying on Buban, has received the press very well: on average from 5.9 to 5, this is the best film of the week.

What are you talking about?

In Iran, Tarlan, a retired dance teacher, witnessed the murder that has an influential government personality. He informs him of the police who refuses to investigate. He then has to choose political pressure, or risk his reputation and his resources to get justice.

What does the press thinks:

According to the film sheets:

“Here, the art of stopping is rarely done with the degree of perfection in the cinema. It is impossible to know how it all happens thanks to the excellent staging.” By Paul Fabrawille – 5/5

According to L’Ever:

“Shiny denunciation, as well as the country’s spoilage feminist, this masterful parable of political transparency and ideological difficulties, a sharp and ruthless staging.” By Xavier Leherper 4/5

According to Le Figaro:

“A dry movie, without a melodrama that clinically reflects a company that is caused by corruption. There is a good hope of a note there.” FV – 4/5

According to Le Parisien:

“Tennt and a very controlled drama, this film denies the condition of women and corruption today in Iran. He mainly paints a portrait of a brilliant resistance with the price that he and his family had already paid – and the risk was again paid – for his political obligation.” By Catherine Ballley – 4/5

Depending on the point:

“The case to get into different layers of Iranian society, everywhere, tensions among those who want to perform unfair and soothing order and freedom fighters.” By writing – 4/5

According to the match of Paris:

“Another Iranian film that rejects patriarchy? Yes, but, first of all, a ruthless thriller, with an unusual actress Maryam Boubani.” Yannick Vely – 4/5

According to Telram:

“Like the seed of the wild figure, Muhammad Rasuloff, a woman who knew a lot of intelligence and politics, and integrated into fiction in a recent history in the recent history of the dictator of the Mulah and women, the life, and freedom of the movement.” By Jeremiah Couton – 4/5

According to Inrockuptibles:

“The success of the film is mainly due to the fact that it will prevent any reduction or categorization. It is impossible to introduce its genre or separate object. By Nicolas Moreno – 3/5