“The Northman” Filmmaker Robert Eggers In Naked Battle Scene In Epic Production Management

Standing under the big screen inside and at the center of Hollywood’s TCL Chinese Theater, Robert Eggers had an important message to share. northern man. “I want to say this is not a Robert Egers film,” the director said on the Monday night before the premiere, when he was joined by actors Alexander Skarsgდიrd, Nicole Kidman, Ania Taylor-Joy, Willem Dafoe, Gustav Linde. and the Oscars. Novak. “This is a film made by many employees.”

Eggers went on to highlight many of them, starting with Focus Features and New Regency, supporting his vision of a Viking epic that tells the story of a young prince trying to avenge his father’s murder. “Supporting a filmmaker and making a full-scale film that is not a superhero film is very rare, and I am very grateful and privileged to be making this film,” he said, adding that “the beast had to be made.” “, he responds to previous comments. the hollywood reporter On the red carpet.

Asked to put aside his most stressful day on set, Eggers said the entire shoot was “just difficult” because of all the authentic, large-scale production elements. “If this isn’t a Viking raid on a village where there are hundreds of squads, horses, cows, chickens, geese, children, then it was a storm at sea at night on a Viking ship or a naked sword fight on a volcano”, said he, referring to the latter.Spoiler warning!) The epic culmination of which is characterized by a naked battle between the Skarsgდისrd ამლ ეტ და და და კლ კლ კლ კლ კლ კლ კლ. Below, Eggers explains why CG genitalia should be added to the scene, their in-depth research process, and why you might not find them hiding behind the opening screen over the weekend.

What do you think of this scene: Hollywood Boulevard with fans, viking music in the background?

Childhood I’m so proud of, so cool.

with northern man, you’ve made the jump to $70 million worth of footage. What was the best part of having more money to play with? And the hardest part of a bigger budget?

Again, speaking of childhood, I built a viking village in a viking city with long merchant ships. Totally crazy. But the challenge is you have a lot more responsibilities on your shoulders and it can be daunting at times, but my co-workers and I were up for the challenge.

We can spend weeks on your exhausting investigation process. In simple words, what does it look like? Do you lock yourself? How do you organize your focus?

I like to read a lot of books and see things. I listen to podcasts whenever I can. But we were privileged to literally work with the best Viking historians and archaeologists in the world in the field of Viking research on this film, from writing to post-production. It’s a unique film in that sense.

This film will unite you with Ania Taylor-Joy. How has he changed as an artist since The magician?

He was wonderful when he was 18, he’s still beautiful now. We both improved our craft. I think what has changed the most is that his professionalism on set is an inspiration to everyone who works with him. I know it’s boring, but it’s cool, especially barefoot in the mud with horizontal rain and in a good mood. It benefits everyone.

Professionalism is never dull and some staff congratulated him tonight as well. I imagine that it was not always easy to manage this production. What is the most stressful day?

If this isn’t a Viking raid on a village with hundreds of additional squads, horses, cows, chickens, geese, children, then it was a storm at sea overnight on a Viking ship or a drawn sword fighting a volcano. I mean, it wasn’t easy to make this movie. Was hard.

Since you got it, let’s talk about the bare sword battle. Did you have to digitally erase it there?

We actually had to add elements digitally because they had tags. [instead of being naked] Because nobody wanted to cut your pieces. So we actually had to add CG genitalia to certain photos so they didn’t look too much like a Ken doll. You have to make it real, so I’m pretty sure we did a full body scan of Alex. They are there.

I read that you said no one is the method in your sets. Is this a rule or just a coincidence?

If one wants to be a method, he is more welcome to be a method. But my main direction is, don’t blink, don’t move your face and say your lines. When you have an archetypal story with archetypal characters (Alexander Skarsgდიrd looks like a viking, plays a viking, on a mountain and dressed like a viking), just say your lines. I know there’s more to it than that, but to a certain extent, with this actor, it’s almost as simple.

Where will you be this weekend when it opens here? Do you infiltrate any of the scripts?

I’ve seen this movie 19 times in the last two weeks of post-production. It’s all ready, thank you. I saw it tonight, but then I finished.