Producer who has worked with Mamonas Assassinas, Charlie Brown Jr and NX Zero offered a balanced position on the subject that divides so many rock fans
Cover bands have always been a good way out for parties and events in general with live music. Especially in rock, artists who perform this type of work are in great demand. In some cases, when the project pays homage to the same group or musician, there are even those who wear the same costumes and reproduce the same mannerisms, promising the most faithful experience possible.
However, this type of work has become increasingly criticized by a portion of music fans, even more so in rock. There are those who think that this type of attraction takes space away from artists and bands that create their own songs, in addition to responding to the somewhat “lazy” instincts of the general public, who always want to hear the same works.
One of Brazil’s most renowned music producers, Rick Bonadio disagrees with the criticism received by cover bands. In a declaration of 2022 to the podcast (via Whiplash), the professional who has worked with killer castor beans, Charlie Brown Jr, CPM 22 It is NX Zero offered a balanced position on the subject.
“I think the cover band has a function that is very worthy. For example: the musician was unable to do original work, because doing original work is difficult. Difficult to get a record label, the producers are bad ass who don’t invest, don’t believe… hard as hell. It’s a very difficult game. Then the guy wants to live on music. F#rra, can’t he have a cover band?”
Rick Bonadio and the cover bands
Next, Bonadio pointed out that some professional classes, such as musicians and comedians, have to face many obstacles. And in the case of those who work making music, it is necessary to look for alternatives to continue living from what they love.
“Here comes my side that defends musicians and the oppressed, which I have a little. Not a lot, but I have a little. Man, the music crowd is very suffering. I believe the humor crowd too. So, man, you come up and say: ‘F#ta, it’s ridiculous for a guy to do covers’. Oh my… It’s boring, you know?”
Finally, Rick pointed out that each professional needs to understand the space they can occupy. In the case of a cover artist, if your greatest skill is reproducing rather than creating, that should be leveraged.
“Because the guy is there living his dream, singing the songs he can sing, that he can sell tickets. […] It’s not that it’s ridiculous, it’s what he can do.”
Source: Rollingstone
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
