The debate with Túlio Mourão and Nivaldo Ornelas addresses the essence of the “path” in Milton Nascimento’s class
Music made by Clube da Esquina it is powerful beyond poetry. And perhaps it is with her that the liberation of singing was born, in the national territory. For the first time something sung in Portuguese was heard that was not related to poetics. It was possible to hear what Milton and Lo they said inside everything you could be🇧🇷 wharf🇧🇷 A sunflower the color of your hair🇧🇷 San Vicente🇧🇷 Window landscape And nothing will ever be the same againbut his “lysergic constructions”, far from the didactic ways of the Brazilian song, have made these works portal that have led the mind to infinity.
“It’s very imaginative music,” says pianist and soundtrack producer Marcos Souza, president of the Musimagem Festival, the only one in the Americas performed only by composers. At 5 pm on the 11th, at the Faculdade Santa Marcelina, the debate Clube da Esquina soundtracks will have two specialists in the language of the Club and the songs (although they are not present in the album), the saxophonist Nivaldo Ornelas and the pianist Túlio Mourão🇧🇷 The event, now in its 8th edition, will be held until November 13, from 10:00 to 22:00. Santa Marcelina is located on Rua Dr. Emílio Ribas, 89, in Perdizes (festival.musimagembrasil.com).
In addition to their work as composers and instrumentalists, Nivaldo Ornelas and Túlio Mourão have worked on the creation of several soundtracks. Among Túlio’s films are Jorge, um Brasileiro, O Vestido, Vagas para Moça de Fino Trato and O Viajante. Nivaldo signs the sounds of A Dança dos Bonecos, In the name of reason and Tampinha. They will address issues such as the relationship between cinema and Clube da Esquina’s creative process and how the two began composing audiovisual soundtracks.
Check the program of the Musimagem Festival:
Day 11/10 – Online
10:00 – Online debate: Soundtracks and Copyright
How does the collection and distribution of streaming copyright work? Copyright is currently at the center of debates on contracts with streaming platforms, with more and more acquisitions being made. Lawyers and creators discuss these issues side by side at the Musimagem Festival.
Dr. Vanisa Santiago (RJ), Dr. Frederico Lemos (RJ), Tim Rescala (RJ)
Presentation Felipe Radicetti (PR)
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15:00 – Online lesson: The organ in silent cinema
Felipe Radicetti, organist, presents a short story illustrated with excerpts from films and images of the use of pipe organs in the great cinemas of the United States and England, in the years before sound cinema. The ways in which the instrument was used to accompany films were instrumental in the development of organ language in popular music.
Presentation: Felipe Radicetti (PR)
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Day 11/11 – Direct hybrid from Santa Marcelina-SP college
10h – Hybrid course: advertising and soundtracks
Musical composition in small advertising forms: the soundtrack and the jingle. Synchronization with the image; Mickey in advertising. The creative process: briefing given as a problem and composition as a solution. The composition works in different applied musical genres: musical score, jingle, spot track (radio). Analysis of consolidated examples.
Zeh Netto (RJ) – live from SP
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15:00 – Online Lesson: Rachel Portman (England)
The English singer-songwriter, author of more than one hundred songs such as “Emma” (for which she won an Oscar), “Chocolate”, “Never Leave Me”, “Bessie” (Emmy winner) and “The Duchess”. Rachel will talk about her career and her work, her major projects and jobs throughout her life.
mediators; Robert Townson and Marcos Souza
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17h – Online debate: The soundtracks of the Clube da Esquina
The music of a generation beyond the screens. How was the relationship between cinema and the Club’s creative process? How did they come to compose audiovisual soundtracks? A panorama of the music of the composers of the Clube da Esquina on the screen, through the voice of two of its members: Tulio Mourão (“Jorge, um Brasileiro,” O Vestido “,” Vagas para minha minha de fibre “,” The traveler “) , and Nivaldo Ornelas (“A dance of the dolls”, “In the name of reason”, “Tampinha”).
Nivaldo Ornelas (RJ), Tulio Mourão (BH)
Mediation João Batista Melo (BH) and Felipe Radicetti (PR)
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20h – Online lesson: David Mansfield (USA)
The American composer, author of dozens of songs such as “The Year of the Dragon” (Golden Globe nominated), “The Sicilian”, “The Portal to Paradise”, “The Devil Between My Legs” and “Lost Trail” (Emmy nominated) will talk about her music and the films she worked on.
Mediation João Batista Melo (BH) and Alex Pfeiffer (RJ)
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Day 11/12 – Direct hybrid from Santa Marcelina-SP college
10h – Online lesson: John Lunn (England)
Composer of the soundtrack of all seasons and feature films for one of the most successful series, “Downton Abbey” (an Emmy award-winning song in two seasons) and for many other series and films such as “The White Queen” (also an Emmy ), “The Last Kingdom” and “Belgravia”. John will talk about his career and his music.
Mediation João Batista Melo (BH) and Alex Pfeiffer (RJ)
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15h – Hybrid debate: soundtracks and cinema for children
How does music create the narrative of children’s films? Does music also help tell the story? Does it take emotions and sensations beyond the sounds that involve the child? Behind the scenes, the creation and production of children’s soundtracks will be discussed in this panel.
João Batista Melo (BH) and Beth Carmona (SP)
Tim Rescala (RJ) – Live from SP
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17:00 – Hybrid concert: Musimágicos in SP
Tim Rescala
Rafael Luperi
Marco Souza
Alexey Kurkdjian
Natalia Machiavelli
Zeh Netto
Alessandro Guerra
Live from the Santa Marcelina Theater
20:00 – Hybrid Concert: Sinfonietta Paulista interprets national and international guests
Direction and Arrangements – Rafael Vicole
Live from the Santa Marcelina Theater
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Day 13/11 – Online
10h – Online lesson: The challenges of the Soundtrack Festivals
Gorka Oteiza – SoundTrackFest (Bilbao, Spain)
14:30 – Online
Chat with Remo Usai award winner Eduardo Souto Neto (RJ)
Mediation: Alberto Rosenblit (RJ)
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15 – Online debate: Soundtracks and Bossa Nova
Bossa nova broke international boundaries and reached screens and film series in Brazil and around the world. What does Bossa Nova represent as a soundtrack? An era? A way to dress, to love each other? A romantic song that stimulates the viewer’s imagination? Industry specialists, composer Alberto Rosenblit and illustrious Musimagem partner Roberto Menescal discuss this topic.
Roberto Menescal (RJ)
Mediation: Alberto Rosenblit (RJ)
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17h – Online debate: Villa Lobos music for cinema
The compositions of the Brazilian Villa-Lobos in national and international cinema. The music she created for the soundtracks and would break the confines of concert halls.
Turin Santos (RJ)
Manoel Correa do Lago (RJ)
Sheila Schvarzman (SP)
Alexandre Guerra (SP)
20h – Online lesson: Christoper Gordon (USA)
Christopher Gordon
Conversation with the Australian composer, author of the soundtracks for “Master of the Seas”, “Mao’s Last Dance”, “Amor without Sin” and “Marsten Mansion” (nominated for an Emmy).
Mediator: Zeh Netto
* The 4 INTERNATIONAL tables will have simultaneous translation in Portuguese.
Courses open to professionals, students and enthusiasts
Day 8/11 – Online
10: 00-12: 00 – Course: Games and soundtracks
Composition of soundtracks for electronic games. Introduction to sound effects and interactive audio. Evolution of video game hardware and its impact on sound production capacity. Historical styles of the soundtrack. Introduction to interactive music and sound design for sound effects.
Antonio Teoli (United States)
Day 9/11 – Online
10: 00-12: 00 – Course: Composition with free software
Is it possible to compose a track using free software? Follow how to plan, organize files and use free software to compose a soundtrack.
Rafael Vicole (SP)
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15h – Course: Soundtracks and soap operas
The representation of sound in television / novels. Sound / image synchronization. Elements of the soundtrack: voice, noises, music. The viewer’s hearing. Technical aspects of sound capture and reproduction. Master the basics of sound, its physical properties and the specifics of analog and digital models. Understand the basic procedures for capturing and modifying sound in order to build a coherent and creative sonic discourse within the television narrative. You should also familiarize yourself with the main schools of thought regarding sound and its different uses on television.
Ricardo Leão (RJ)
Day 11/11 – Direct hybrid from Santa Marcelina-SP college
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10h – Course: Advertising and soundtracks
Musical composition in small advertising forms: the soundtrack and the jingle. Synchronization with the image; Mickey in advertising. The creative process: the briefing given as a problem and composition as a solution. The composition works in different applied musical genres: musical score, jingle, spot track (radio). Analysis of consolidated examples.
Zeh Netto (RJ) – Live from SP
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Service
Online: Auditorium website – https://festival.musimagembrasil.com or Youtube by Musimagem https://www.youtube.com/c/MusimagemBrasil
Collegio Santa Marcelina – R. Dr. Emílio Ribas, 89 – Perdizes, SP (11 and 12 only)
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Source: Terra
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
