Betsy Bers, co-chair of the 2022 Produced Conference in Shundland, wants to help her industry brethren bring Zoom out of isolation.
“I hope this conference inspires everyone to start thinking again as a society,” he said at the June 11 event, which will host a series of panel discussions. The creative producer will use his experience to bring shows like bridgeton On screen: Schondaland is currently running the Prequel, to help participants navigate the ever-changing (and covetously complicated) entertainment landscape. beer spoke THR About this year’s schedule and how it will help reinvigorate the industry.
How would you describe Produced By Conference’s mission, especially now that the industry continues to change and shrink rapidly?
I was delighted that the guild asked me to co-chair the conference. A lot has changed in the last couple of years, and while it has affected everyone in our business, it is a particularly challenging landscape for manufacturers. I think the team has created a really compelling array of dashboards that include a variety of important and relevant topics. We hope to give our members access to wonderful and diverse choices of voices that can share their past experiences and, hopefully, jeopardize some assumptions about where we are going.
What does it mean for you to return to personal conference this year?
Great work! Many manufacturers operate independently and do not have regular access to the structure proposed by the organization. And those applying for larger units are often isolated in their own world. Clearly, work habits during Covid have heightened the sense of isolation for all of us. Much of the business of generating projects and new opportunities comes from ongoing organic conversations, across the network, in the production process and through more informal face-to-face interactions. The world of Zoom has made every meeting very useful. I hope this conference inspires everyone to start thinking again as a community. A producer can work for a company, a producer can be independent, but no producer is alone. I’m also personally excited to wear real clothes. I could even dare with a waistband. ვნ Follow the trail!
How would you describe your work as a creative producer?
I mean, my job is to do whatever it takes to make the show a hit, from the initial beat to the producer and release. I work closely with the show’s creators to develop the idea and articulate that vision. Once the project becomes a reality, I have to do whatever is necessary to reflect our vision in the work of all departments. Every show is different, so my approach changes as needed, sometimes to start an idea, sometimes to bridge the gap between the creator and the buyer, and he’s always trying to get a quote. The money for me. Literally! We’ve worked with many writers in Schondaland over the years who are runners-up for the first time on the show. They quickly learn that directing a show is different than just writing one, and I’m there to help them share my experience and get as much work done as possible.
Of all the things Schondaland has to offer for the future, what are you most excited about?
Honestly hard to choose. We are currently receiving a prequel. bridgetonShonda’s show about the young Queen Charlotte. I haven’t seen the cut yet, but if the scripts and diaries give any clues, that would be great! We have an amazing actor and our genius Tom Verica is directing all six episodes. I’m also very excited about our next Paul Davis project. House, A very funny and quick report about a murder in the White House. paul created For people And we’re excited to do another show with him.
What surprises you most about your work?
I think what surprises me in my case is that almost every day is different, and that says a lot after almost twenty years of television production! (Can I still call it television? A producer for the small screen?) It also indicates what I love about my job: I’m involved in many different aspects of the process, there are always different challenges, and I’m always learning new things. .
It also doesn’t surprise me that when it looks like the day is going to be more relaxed or slower, the wheels invariably fall off the bus. Friday afternoon! That’s when you get caught! I always think Gray’s anatomy. When operating rooms are not reserved, a “silent frame” is always an indication that a natural disaster is imminent. After so many years, I have to learn something from this program…
A version of this story first appeared in the June 8 issue of The Hollywood Reporter. Click here to subscribe.
Source: Hollywood Reporter
Benjamin Smith is a fashion journalist and author at Gossipify, known for his coverage of the latest fashion trends and industry insights. He writes about clothing, shoes, accessories, and runway shows, providing in-depth analysis and unique perspectives. He’s respected for his ability to spot emerging designers and trends, and for providing practical fashion advice to readers.
