The film “Monster”: a series that is very popular on Netflix
Monster: The Ed Gein Story was released on Netflix on October 3 and was a success. Like almost every time Ryan Murphy releases a series of this type. If the supply of Charlie Hunnamas the serial killer, he is widely praised, the accuracy of the events is in question.
Ryan Murphy has been known to take it great creative freedoms to tell the stories of American serial killers. Most often for narrative purposes. Except this one annoying trend many spectators. But also directors. The last one is Osgood Perkins.
Osgood Perkins criticizes the shameless portrayal of the story and his father
Director Osgood Perkins, son of the actor Anthony Perkins (Psychosis) and photographer and actress Berry Berenson (The feline), criticized the series. The latter also features his father just like Alfred Hitchcock. Indeed, Ed Gein and his atrocities inspired cinema, Texas Chainsaw Massacre passing by The Silence of the Lambs and, of course, Psychosis.
However, Osgood Perkins did not appreciate his father’s treatment of him Monster. Nor the way Ed Gein is portrayed. Although I have not seen the series, the director of Long legs does not plan to do so. He heavily criticized Netflix and Ryan Murphy for making this sordid story a “ glamorous and important content ». He also fears that culture could be “ remodeled in real time by the gentlemen », here are the platforms.
Osgood Perkins regrets that true crime genre Or” increasingly devoid of context and that the Netflixization of real pain plays in favor of the wrong team. ” In MonsterAnthony Perkins is a struggling actor defined only by his role as an assassin Psychosis. It is considered a ” monster » because he’s gay.
Author Harold Schechter, who wrote a reference work on Ed Gein, took exception to the series’ treatment. He remembers it “ much of the series is purely fictional » and that she” differs radically from the reality of the facts “.” Most of these are pure inventions », he punishes the New York Post.
Source: Cine Serie
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