Oscar’s greatest wrong was not even invited to the ceremony

“The role of a lifetime”, defined the Indiewire website on Pamela Anderson’s performance in “The Last Showgirl”, by the director Gia Coppola. It wasn’t enough for the gym. He has not received an indication for the category of the best actress.

The most important entity in American cinema is fascinated by rebirths. He likes to reward the so -called “back” of decomposition and discredited artists, as he did with Brendan Fraser (“The Whale”) and Renée Zellweger (“Judy”).

Famous for the SOS Malibu series of the 90s and a “Playboy” sex symbol, Pamela has reinvented herself as an actress on the skin of a Las Vegas dancer who, at the age of 50, finds herself unemployed and outside the prospects.

Metaphysics similar to that experienced by Demi Moore in “The Substance” by Coralie Fargeat: a star despised to be considered “old” for the entertainment industry.

Demi was called Oscar and, like Fernanda Torres (“I’m still here”, by Walter Salles), deserved the statuette. But the voters of the Academy – most of the mature men fascinated by the stories of Lolitas – preferred to consecrate Mikey Madison for having acted as a prostitute deluded in “anore”.

Pamela Anderson was not even invited to look at the ceremony. As a consolation prize could have been called to present a category of prizes, as happened with its support in “The Last Showgirl”, Dave Bautista. The complete contempt directed to her.

He deserved to be in the place given to Cynthia Erivo, appointed more for the representativeness and charm of the wicked musical with the young audience, the goal of the interest of Hollywood and the Academy to expand, respectively, the sale of tickets and the audience of the show on TV.

Pamela Anderson’s “awakening”, 57, is not a fleeting. Cinema needs multiple actresses without fear of exposing its vulnerabilities and taking intense characters with a strong biographical outline.

https://www.youtube.com/watch?v=o8z7x4zxooou

Source: Terra