Deborah Evelyn, Stelo Franco and Nathalia Dill reflect on the passage of time in the piece

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Three women, three talents and three different generations. This scenario is interpreted by the actresses Deborah Evelyn (59), Say Franco (85) e Nathalia Dill (39), which are on stage with the piece Three high women To shed light on a common question not only among them, but with all the public: the passage of time.

“Although it was written in the 90s, this piece is very current. It speaks of aging, the various types of prejudices, homophobia, racism … how it was to be spoken and listened to today. We bring everything in a deep and fun way”, “ Delivery Deborah, referring to the American text Edward Albee (1928-2016).

By playing San Paolo, the trio shows that the development goes beyond the construction of its characters. Behind the scenes, while taking care of one’s production, an exchange of experiences and learning

Maturity, art and life extend through every essay and presentation. “Our coexistence

It is wonderful. We support ourselves in every way. And the best part is that we see the public laugh, become emotional and, in the end, we still receive the applause. It’s an extraordinary feeling “It describes correctly.

Among the escorts and events from Rio de Janeiro, where Owner of meNew Soap Opera Globo scheduled for the end of April, the actress offers that, due to the plot, she had to balance her presence on stage and will share her role in the show with the actress Ana Rosa (82). “It is a little tiring. I am 85 years old and, for me, the airport is the worst thing in the world. But we are adapting, because I’m not going to drop the piece “He warns, excited.

– What does this assembly mean for each of you, as actresses and women?

Deborah – The text of the piece is truly surprising. Since it was written by a man in the 90s, it becomes even more brilliant. I don’t know if I’m pulling the sardines by my side, but my character has a very nice place in history. Being in the middle, among the largest and younger one, he sees 50 years like the top. This is exactly what I live in person.

Thoroughly – I never created a piece like this, with this seriousness and I talked about such vital subjects for the human being. I make a comedy, I make drama … here, we are not only in a genre and we still deal with this theme so precious.

Nathanalia – Talking about the passage of time is something universal, regardless of the age you are. For me, the questions of my character correspond a lot to my staff. This piece brings a precious cut to everyone and this is the most important for me

actress.

–Aging is often negatively portrayed in society. As you see This theme?

Thoroughly – I confess that I had never thought about it. Even if I’m the oldest here, I don’t feel like that. My lightness has to do with the fact that I do what I like. I don’t work, play. Here with them, for example, I always tell a joke. Coesistence was wonderful. The age does not stop me at all.

Nathanalia – I think that prejudice with old age is the most permissive we have. At the level of interrogating because an elderly person wants to work, exit with … aging is a taboo for society and especially for us women.

Deborah – I think Ethaism is still very strong. The piece is truly precious in this sense, as it highlights all these questions. It is wonderful to see someone as they were at the age of 85, so active and whole on stage. It’s a great diamond!

–Is given to women with centuries close to your reality influenced the perception of yourself?

Nathanalia – For sure. Our comedy has humor, lightness and that sarcasm, but at the same time it is very deep. It was an excellent artistic exercise.

– Outside the stage, what learning has won in this conviviality between them?

Deborah – I think I am in a place of many privileges. Not only for my character, of course, but I can look subtlely and realize everything that brings me from experience, everything we grew up … and the same thing happens to Nathalia. It is truly a privilege.

– Deborah, you have a long career in the theater, television and cinema. How do you see your evolution?

Deborah – I have always worked a lot and I have always covered myself a lot. Today I feel more wisdom to understand and enjoy what is good in life. I think maturity brought me this feeling of calm.

– Below, you are a reference in art. What is your biggest career learning?

Stepto –Any job brings us some teaching. One of those I did, for example, I concluded my wedding. It was then that I decided to take care of myself, to look at me more. My work

He will never leave me.

– With such a long trajectory, in the face of so many challenges … have you ever thought about withdrawing?

Thoroughly – I started working in 1959, but God is free to stop working! The only thought already brings me a horrible anguish, it is the same as death! When I don’t work, I run

Behind the work.

– Nathalia, like the youngest actress of the cast, what lessons did you have and shared?

Nathanalia –Having three women on the scene, starring in a comedy and one of them in an extension, at the age of 85, in full swing, is already an activism for himself. I understand, more and more, the life that is happening, life changes us and life always enhances us. For me, there is no better exercise than learning through art.

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Source: Terra

Amanda

I am Amanda Gans, a motivated and ambitious professional in the news writing industry. With over five years of experience in this field, I have developed an eye for detail and an ability to craft stories that captivate readers. I currently write for Gossipify, where I specialize in beauty & celebrities news. My passion lies with exploring the world of beauty through writing, interviewing experts and developing articles that are both informative and entertaining.