Bill Kramer became the CEO of the Film Academy –

Nominated by the Academy of Motion Picture Arts and Sciences Bill KramerThe current director and president of the Academy of Motion Picture Arts and Sciences as its new CEO. Kramer will succeed dawn hudsonWho has held this position for the past 11 years.

sources say hollywood reporter That the Academy’s Board of Governors unanimously endorsed Kramer’s job offer.

As executive director, Kramer will oversee the Oscars, as well as the academy’s global membership, education and emerging talent initiative, and the extensive collections of the Margaret Herrick Library and Academy Film Archive, as well as the Museum. of the Academy and its exhibitions, exhibitions, programs, projections

Kramer was associated with the Academy Museum from an early age. As Director General of Museum Development and External Relations since 2012, he has raised $250 million for the project but left after his ambition to play a larger role in overseeing the museum was not expected. But the case didn’t work out with the museum’s original director, Carrie BrowerAnd Kramer was signed to return to the role in 2019.

Overall, the museum, which opened to the public in September 2021, has been a success story for the academy, as the organization has faced a range of unpleasant situations, from the Oscars So White to Slapgate. Admittedly, this was done over budget and according to plan, but it was mostly the result of decisions made prior to Kramer’s return. And since returning, despite the ongoing pandemic, the museum has sold more than 550,000 tickets, generating $5.5 million in sales at the museum’s retail store.

The museum’s exhibits and programming were widely acclaimed, along with criticism of its early oversight of the industry’s Jewish founders, which Kramer was quick to address.

“Bill Kramer was a transformational leader in founding the Academy Museum of Motion Pictures as a beacon for movie lovers and a manifestation of what the Academy stands for and celebrates,” said the current president of the Academy. David Rubin, – is said in the declaration. “His vision of him for the future of academia is also bold and inspiring, and our governors have agreed that he is the ideal choice for the organization to lead at this crucial time. We believe Bill has the ability to bring together all corners of the film community and we are thrilled that he is in this role to elevate the organization and unite our global membership.

Kramer will replace Hudson, the academy’s first CEO, whose position was highly polarized. Harvard Alum made a name for himself as CEO of Film Independent before joining the academy in 2011. He received early heat for his management style (many high-profile employees left or were fired) and the expenses incurred (mostly for expensive decorations) at Headquarters. Wilshire Blvd. Academy). But in many circles he has been applauded for leading the academy’s efforts to diversify its workforce and membership. (The number of underrepresented women and racial/ethnic communities doubled with Oscar votes during his tenure.)

Hudson also oversaw the creation of Aperture 2025, an initiative that, among other things, set “standards of inclusion” for the Oscars, which proved more divisive. And received warmth for your answer, or for your lack Will SmithOscar’s behavior earlier this year.

Other notable changes during Hudson’s reign included the phasing out of paper ballots for the Oscars and the phasing out of online voting for the Oscars; Eliminate printed screens and streaming service from the Academy’s screening room; And the Academy acts as a mediator, upon payment, of all communications sent to its members.

But Hudson’s legacy to Most Academy may, in the long run, cast a shadow over the museum, which was the dream of the academy’s founders nearly a century ago, which has finally begun to come together under his supervision.

On Tuesday, Rubin praised Hudson’s contribution: “I cannot emphasize enough the deep respect and appreciation we have for the significant achievements Down Hudson has brought to the Academy during his eleven years as CEO. He launched an unprecedented effort to create more space for diverse voices, both within members and in our industry. He was restless ahead of the opening of our long-awaited museum and has strengthened the academy’s financial stability, allowing us to develop programs and mentor those behind and behind the camera. Our gratitude for his achievements and leadership is boundless.”

Hudson, in turn, said: “What a privilege it has been to work with a particularly talented team and dedicated board members to create a truly global institution, a world-class museum that honors this art form so beautifully, with an ongoing commitment to the representation. . And inclusion, and a modern organization ready to lead in a changing world. I’ve worked with Bill for nearly a decade and none of the executives is more innovative, more connected to the artists, or more passionate about the opportunities that lie ahead. The academy and the academy museum are in the best hands.”

Added Netflix Co-CEO Ted SarandosChairman of the Academy Museum Board of Trustees, “The Academy Museum Board of Trustees is delighted that Billy will continue to work with us as Executive Director of the Academy and as Trustee of the Museum Board. The opening of the museum was a great success and I look forward to working with Bill to help further strengthen the museum’s strong programs and create a unifying and strategic vision for the future.”

Kramer said in a statement: “It is a great honor for my career to play the role of CEO of the Academy. I believe deeply in the power of cinema and painting. We look forward to promoting and enhancing the Academy’s unparalleled assets: the Oscars, the more than 10,000 members of our global community and our museum, library and archives: the art and science of film and inspiring the future. Generation of film directors. I am deeply grateful for this opportunity and for the incredible work of my colleagues. Brendan Connelly, Mm. s Jacqueline StewartThis will continue the special work of the Academia Museum.”