In Vale Tudo’s remake, Cesare, played by Cauã Reymond, promises to move the subsequent chapters with an unexpected attitude. The relationship with Odete Roitman (Debora Bloch) will earn bold contours, especially after a meeting that runs away from any predictable screenplay.
The sequence will be broadcast on Thursday (14 August), when the character decides to end a day of shopping in an unconventional way. Instead of going to a sophisticated place, he invites the business woman for an unlikely scenario experience: a free lot, away from the spotlight and surrounded by the mystery of the night.
Also in the hotel room, Cesare takes the initiative and announces the change of floors.
“Enough to taste clothes. Now we will do something else.”
Without providing details, he asks Odete to take his bag and accompany him.
César and Maria de Fátima cross a new crisis to Vale Tudo (photo: disclosure)
Inside the car, circulating on the streets of Rio de Janeiro, the climate begins to change. With champagne on the ice bucket, caesar cause:
“I bet you always do the same programs, always the same things.”
Feeling that this routine could change, he replies that he intends to completely transform the life of the billionaire.
The peak of the surprise comes when the parking lots on a dark ground.
“I don’t believe it, Cesare. Did you bring me to a free lot?” He asks Odete.
Firmly confirms: “That. A dark and dark soil, which has no one”.
Without wasting time, Cesare turns the sound, positions himself in front of the headlights and begins a fortune socket. Odete, relaxed, Champagne drinks directly from the bottle and joins the lover. The tension increases and the scene ends with both cokes, involved in the climate of light and transgression.
The relationship between Caesar and Odete begins shortly after fireing Walter (Leandro Lima), a direct consequence of the episode in which the mayonnaise of taste was sabotaged. From there, the plot strengthens the game of seduction and power that marks the connection between the two characters.
Vale Tudo’s remake is a tribute to the 60th anniversary of Globo and updated the plot originally transmitted in 1988, a milestone of the Brazilian television drama. The new version wrote about Manuela Dias and artistic direction of Paulo Silvestrini, maintaining the provocative spirit of the original work, but by inserting contemporary elements to attract the current public.
Source: Terra
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