In the soap Opera Vale Tudo, the troubled relationship between Maria de Fátima and the Roitman family obtained importance again after a trend reversal that involves Celina. The character played by Malu Galli conceived a lie on AFFSO, claiming that his nephew would be sterile. This alleged revelation was sufficient to completely alter the direction of the pregnancy of the villain, who believed he was expecting a son of Caesar.
Previously, faced with false information, Fatima made a drastic decision by throwing himself from the municipal theatrical stairs. The intention was to interrupt pregnancy, motivated by the belief that the child did not belong to Aphones. However, the attempt failed and the child survived, bringing unexpected consequences to all the subjects involved.
In the meantime, a hospital conversation ends up providing the first indications that Celina’s story could be a manipulation. Heleninha, lived by Paolla Oliveira, reveals that Solange is pregnant with twins. The detail attracts Fatima’s attention, reminiscent of the family history of the roitman and also a night in which AFFSO would have spent away from home.
Determined to confirm his suspicions, Fatima visits the laboratory with the exam that he received from Celina as an alleged proof of the infertility of AFFSO. By accessing the full medical history of her husband, she discovers the truth and realizes she is the victim of a frame. At this point, the character does not hide his fury:
“I knew. Celina, cow!”
This revelation completely changes the perception of Fatima of its pregnancy. After all, with the confirmation that AFONSO is not sterile, there is a real possibility that the son who expects to be a legitimate heir to the roitman – who resumes his interest in the power and fortune of the family.
However, the resentment for the manipulation suffered is not ignored. While the next chapters promise to reveal, Fatima will begin to plan a response at the height of the betrayal. The rivalry between her and Celina, who was already accentuated, tends to rise.
The sequence marks another point of tension in the plot of the soap opera of the nine, which continues to invest in family twists and revenge strategies. The plot therefore strengthens the clash between ambition and manipulation as a central axis of its stories.
Source: Terra
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