Alena Dololenko: “I hope this is not the top of my career. I only have 21 “

Alena Dololenko: “I hope this is not the top of my career. I only have 21 “

A modest, charming and incredibly beautiful outside and inside – it was before we appeared by Alena Dololenko, who played Natalya Goncharova in the new film “The Prophet. The story of Alexander Pouchkin.” About the first first and not only – in this interview.

On February 14, the film “Prophet was released on big screens. The story of Alexander Pushkin. “To what to expect the image and what ideas await us after looking at, we learned from Alena Dololenko, who played the love of the poet’s life – Natalia Goncharova.

Alena, how does such a strong project feel at the start of a professional career?

Of course, it is very responsible, because we are talking about the big growth. The feelings are the most respectful: we have fed this project as a child, and now I want it to go, in good health and everything was fine. I hope that the spectator feels the love with which our whole team has created an image.

Regarding me, I do not build any hope: I do not expect my life to change strongly with the first. Simply, maybe the next birthday, there will be a reason to say to you: “You have done something worthy.” At the same time, I understand that the film’s reactions can be very different: during the shooting, we have already read everything. Everyone is impossible to love, and that’s normal.

Alena Dololenko: “I hope this is not the top of my career. I only have 21 “

The media, which are accompanied by major roles, scare you or is it more likely, the desired advantage of the profession?

Neither. It is only part of the profession, which is an instrument, the opportunity to declare itself. Media players are more willing to call for samples because they know what to expect from them.

In this case, will you accept the role in a noisy project, but not the highest quality? In other words, everyone talks about him, but rather with sarcasm and a part of mockery.

The fact is that such an eraser for the brain, as a rule, is removed – quickly and not very high quality. For the good of the media threshing. And I am not interested in it. I would like to live roles, not just read the text on the camera.

By learning what you have to live on the screen to live the life of Natalia Goncharova, what did you feel? Your first thoughts that day?

It was a cocktail of emotions. In the Moscow Art Theater, we were preparing for the premiere of performance as part of the thesis. I had the main role, and when it became necessary to go to the final samples to the producers of the Prophet in Saint Petersburg, I was afraid to ask the theater because I missed rehearsals. My teacher Evgenia Olegovna Dmitryva let me go exactly one day, from front to back.

And after the samples, I already sit in a taxi to go to the station and get on the train for Moscow, because they call me and tell them approved for the role of Goncharova and repetitions in Saint -Petersburg, start from tomorrow.

I have a panic. I understand that I cannot help but go back to Moscow, because otherwise I will put the whole course and in general, they will simply express me from the university. I got out of the car, hidden behind the tree, called my mother, thoughts were confused. I did not understand what to do in such a situation at all. Yura Borisov came to the rescue: he quickly reassured me, called Evgenia Olegovna, because he also studied her too. And everything was quite calm.

How do you like Yura as a partner?

Yura is an incredible person and a unreal partner. We spent a lot of time together, became great friends. By the way, we had a tradition: after each quarter of work, we gathered and thought about – we discussed what happened and what was not. It was very important, because we deleted the responsibility burden, given the scale of the project.

Yura is a genius. He taught me a lot, I am very grateful to him. I am inspired by his unreal thirst for life, work. And its stroller is beyond the praise. At the end of the shooting, the whole team no longer perceived Yura without Kudrey, it seemed that he had simply overthrew Alexander Sergeyevich, and it was impossible to find a more appropriate and similar to this role of man.

After such a big project, is there still something to dream?

Certainly! I have so many models of models (smiles). I hope this is not the top of my career. I am only 21 years old. I strive, on the contrary, to develop and grow. I am produced at the simplest moment, so it’s a bit frightening, but how it will happen. But our profession learns to live without expectations. Sometimes you build a perfect plan for yourself, and everything collapses in a moment, then you sit in tears. And when you don’t wait for anything – once, and everything turns like notes.

In addition, by acting, it is very easy to become self-comprehensive or, conversely, to suffer from an impostor syndrome all your life. With the second, by the way, I am now actively struggling with the help of a psychologist.

They talked about Alena as an actress. What are you in life?

For me, it seems to be indivisible things. Even a hobby: for example, I study English – not because I just want, but because I need it in the profession. In the future, I would like to find a lesson for my taste, such as, for example, Freindlich and Volchek, which have made pearl jewelry.

I come from the small town of Murmansk, and it’s my base. I like to spend time with my family. I want to come and live in childhood: it seems to me that we then knew how to live really, sincerely, without lies, spontaneously, distracting everything and letting it cross ourselves. With age, we grow with masks, protective mechanisms and at some point, we attract ourselves by thinking that we are no longer us. And returning to childhood means being yourself. Perhaps uncomfortable and unpleasant places, but as you are. For me, it is a lighthouse that I am looking for.

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Source: The Voice Mag

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