Disney+ news: Jesse Eisenberg and Claire Danes fall out of love in this intense miniseries

Disney+ news: Jesse Eisenberg and Claire Danes fall out of love in this intense miniseries

What is it about?

Recently separated Toby Fleishman, 40, is returning to dating apps. But at the beginning of his first summer of sexual freedom, his ex-wife, Rachel, disappears, leaving him with the children and no idea where she is or if she’s ever going to return. As he must balance parenthood, the return of old friends, a long-awaited promotion at the hospital, and all the women Manhattan has to offer, he realizes he’ll never know what happened to Rachel until he takes a more honest look at what. Their marriage took place first.

Anatomy of a Divorce TV series created by Taffy Brodesser-Ackner with Jesse Eisenberg, Claire Danes, Lizzie Kaplan… Episodes Watched: 8 of 8

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Anatomy of a Divorce is one of the so-called prestige miniseries produced by ABC for FX on the Hulu channel. One golden rule for this type of production trumps all others: a solid and engaging cast.

As such, Jesse Eisenberg will be reprising his lead role on television for the first time since the series spawned The Green Family. He plays Toby Fleishman, a doctor in his fifties who is on a quest after a divorce.

His ex-wife Rachel is played by Claire Danes, who explains the version there.daily life“Carrie Mathison, the symbol of the motherland. But still? A brilliant woman, but not presented in her best light.

For her part, the always excellent Lizzy Caplan plays Libby, Tobey’s friend from college who he reconnects with during his divorce. He also serves as the narrator of the series. Finally, we also find Adam Broad (Eternal Seth of Newport Beach), who also plays Toby and Libby’s college friend.

Is it worth checking out?

Anatomy of a Divorce opens with an overhead shot. The camera pans over the inverted Manhattan skyline—squatting brick buildings in the upper half of the frame, a hazy blue sky below. This is a destabilizing introduction to the series that continues to pull the rug from under our feet. But here, that plot points to how troubling Rachel and Toby’s divorce is.

At first, Anatomy of a Divorce is interested in virtually only one character: Toby Fleishman, a recently divorced hepatologist. Based on the Upper East Side, her newly downloaded dating app offers her more one-night stands than she’s ever had in her entire life.

But his ex-wife, Rachel, left him in the middle of the night with their children to escape to yoga. Toby is angry. He also has a job. Although it is Rachel’s much more lucrative career as a talent agent that has shaped her family life so far.

Here, New York Times Magazine contributor Taffy Brodesser-Ackner pokes fun at viewers because things are more complicated than they seem. The tone can be funny at times, the jokes at times sharp as daggers. But as the story progresses, it reveals its construction. What stories do people listen to the most? Which version of the truth do we naturally favor without realizing it? These are the basic questions that Anatomy of a Divorce randomly asks us.

The series explores these questions primarily through the narrative of Libby, Toby’s college friend, whose presence gradually grows. It’s Libby’s voiceover describing Toby’s dismay when he finds himself – after 15 years of marriage – more desirable than he ever was as a bachelor.

Libby, a disillusioned journalist in her fifties who quit her disappointing job as a men’s magazine editor, is suffering from an existential malaise herself. But Toby never notices. She realized that, as a woman, everything she wrote would always be a woman’s story, as opposed to an exciting human and universal story and necessarily a man’s.

The series captures the spirit of the times, with small touches pointing to the movements passing through society in five short years. The ones where more and more women dare to take their rightful place in the public square.

It’s always done with humor, intelligence and ironic detachment, until episode seven of eight we (finally!) discover a version of Rachel that turns out to be disastrous. So devastating, in fact, that one wonders why so much of the story has been devoted to Toby, a somewhat dull and self-absorbed boy, his sick patients and bratty children.

A disclaimer needs to be made here, as viewers who wanted to see a little more of Claire Danes than a few scenes of a particularly unsympathetic character might run out of patience. This is where the series takes on a whole new dimension. He addressed the subjects so strongly and with such force that the impression of being punched in the face remains. Namely, the abandonment of the mother and the question of why a woman gives the middle finger to the biological imperative and abandons her children.

These themes have recently embraced all kinds of beautiful and unconventional stories. For the best. In Anatomy of a Divorce, Rachel’s story is so important — and performed with such commitment by Claire Danes — that when it’s revealed, everything else pales in comparison.

So everything that was before takes on a different color. There’s a way the show keeps encouraging us to praise Toby for taking care of his kids on his own, as if that’s amazing for a father. And in counterpoint, the obvious and absolutely irrevocable obligation of any mother. This face is certainly changing.

Anatomy of a Divorce is a perfect demonstration of what it condemns: you have to go through the cracks to find the experience of fascinating women. Our world view is distorted. And that one lesson resonates loud and long after you get it.

Source: Allocine

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