“Close”, presented in the competition competition at the 75th Cannes Film Festival, is the second film by Lucas Dont, “Girl”, owner of the golden camera in 2018. The director signs a stunning force drama.
There are some obvious facts that impose on us. As watching the main movie. In this respect, Close by Lukas Dhont leaves little doubt. This is the second feature film of the director, the owner of the Golden Camera in 2018, for the girl. However, at the age of 31, he is already asserting himself as a accomplished author who can gesture the audience with a gesture.
Presented in the competition at the 75th Cannes Film Festival, Close Tells of a close friendship between two 13-year-old boys. Leo and Remy are like magnets. Physically inseparable, interconnected, without a shadow of uncertainty. As soon as they enter college, the duo are faced with thoughtless questions and derogatory words. When a lion decides to break this closeness, it becomes unbelievable.
After studying identity search girl, Lucas Dont Receives proof. One that comes at a delicate age when we build ourselves up through the eyes of others. In the face of the enmity of the comrades, one decides to change to defend himself, while the other remains himself. It is these two visions of adolescence and masculinity that are approached by the filmmaker – who co-wrote the screenplay with Angelo Thiessen.

In the “closed” flower field, where Leo’s parents work, is one of the most important parameters in the story.
The story spans four seasons and takes on the look of a fresco. Temporality, which allows the director to go through the different emotions of his character, saying goodbye to innocence. Lucas Dont masters the melodrama genre, making films with tears and hugs, in pathos and without tears easily. It is this clarity and this power that engages the viewer.
The filmmaker entrusts the lead roles to two impressive young actors: Eden Dabrin and Gustave de Wael. The appearance of the first one is worth a thousand words, while the silence of the second one offers the film one of its most beautiful scenarios. It is hard to believe that these are their first steps in cinema. Emily Decken is mute in her dumb mother’s shoes.
With great visual richness and almost tiring power, Close Signs one of the greatest discoveries of this 75th edition of the Cannes Film Festival.
CloseComing to the cinema soon.
Source: allocine

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