Spider-Man: Into the Spider-Verse is an Extraordinary Film, Say Early Reviews

Spider-Man: Into the Spider-Verse is an Extraordinary Film, Say Early Reviews

The sequel to the 2019 Oscar-winning animation Spider-Man: Through the Spider-Verse will hit theaters nationwide this Thursday, June 1

One of the most anticipated superhero movies of 2023, Spider-Man: Through the Spider-Verse (2023) is about to arrive in Brazilian cinemas — and the first reviews point out that the second feature opens up a new range of possibilities for one of the most beloved heroes of cinema. Marveldebuting with a 97% on Rotten Tomatoes.

In Spider-Man: Through the Spider-Verse (2023), Miles Morales (Shameik Moore) is catapulted through the multiverse, where he encounters a team of Spider-People tasked with protecting the multiverse’s existence. But when the heroes clash over how to deal with a new threat, Brooklyn’s Neighborhood Buddy finds himself pitted against the other variants and has to rethink what it means to be a hero to save the ones you love.

Check out what the first reviews said about Spider-Man: Through the Spider-Verseaccording to the selection of Screen Rant:

screenrant, by molly freeman

“Ultimately, Spider-Man: Through the Spider-Verse it’s not just a remarkable animated film, it’s an extraordinary film all-round. It’s the kind of superhero movie that transcends genre, appealing to audiences of all ages with its story about growing up, which happens to be set in a universe where the Spider-Society exists and pays homage to decades of Spider-Man’s multimedia legacy. Spider man.”


Indiewire, by Kate Erbland

“And if that all sounds like an awful lot to cram into a single movie, therein lies the problem. In a somewhat disappointing turn of events, Spider-Man: Through the Spider-Verse it’s not really a single film, it’s one half of a planned two-film sequel. The decision to split the sequel into two films seems to have been lost on many fans. Even in this critic’s well-attended viewing, the ending reveals that this story isn’t over yet was met with heads bowed.”


Variety, by Owen Gleiberman

“Without revealing more, I will say this: Through the Spider-Verse ends with that old-fashioned thing, a cliffhanger, where the decision to split the sequel was something that had actually been planned for years. At the preview, I heard a ripple of playful irritation from the audience: “Do we have to wait? To find out what happens? How long?.” The original thriller series made you wait a week. In this case, we have to wait for a year. Spider-Man: Through the Spider-Verse made a pact with us, increasingly rare in the world of pop cinema. It’s telling us that the series will keep us hooked, frame by frame, on the promise of surprise.”


GamesRadar, by Jordan Farley

“There are inevitable first-part issues to contend with – half-full character arcs, huge dangling plots – so brace yourself for a lack of resolution. And whether the story created here will pay off in Beyond the Spider-Verseit is not known yet […]. if Spider-Man in the Spider-Verse (2018) heralded a new era for animation, Through the Spider-Verse is evidence that the adventures of the one and only Spider-Man were far from unique.”


Inverse, by Eric Francisco

“Even when not all expectations set by Spider-Man in the Spider-Verse (2018) are met, Through the Spider-Verse (2023) nimbly builds an intriguing all-ages blockbuster with rare style and aplomb. It’s magnificent and exhausting, sometimes all at the same time. […] Through the Spider-Verse soars above even the highest expectations that even its flaws – a meddlesome plot, a baffling suspense and the painfully felt absence of transcendent set pieces with masterful needle drops – are not enough to crumble this delicate interpretation of the Spider-Man mythology, […] who impossibly uncover the last bits of electricity left to impress.”


Mashable by Kristy Puchko

“The directors Joaquim Dos Santos, Kemp Powers It is Justin K Thompson make it look easy when it was nothing. Notably, they maintained the awkward but kinetic romantic chemistry between Miles It is gwen (Hailee Steinfeld). They expanded the world of this film series without losing track of what drew audiences in the first place. Through the Spider-Verse it is exciting, dynamic in its action, expressive in its gestures and colors, and chaotic without being confusing. The voice cast combines the energy of aesthetics with entertaining yet moving performances. So the story revisits themes, characters, and plot points from the first film, avoiding the feeling of a lazy makeover. Instead, these recurrences delve deeper into the dilemma of being Spider-Man.”


Empire Online by Ben Travis

Do not fool yourself, Through the Spider-Verse it’s masterful. It’s pop art that doesn’t just pop – it hums, fizzes and rumbles; art that doesn’t just exist to be considered, but uses everything in its power to make you feel deeply. It’s a hit drum solo – literally, at one point – dazzling on so many levels without ever missing a beat; a paean to what is possible by rewriting the rules. It’s only as good as the sequels – challenging its own mythology, questioning the notion that “anyone can wear the mask”, and interrogating the tenets of what makes a Spider-Man. if Beyond The Spider-Verse maintains the level, we can have a new trilogy of all times.


USA Today, by Brian Truitt

“The dynamic of friends between Miles It is Peter parker (jake johnson) was one of the highlights of the 2018 film, though it’s left out here as Peter returns in a backup role (and with a new baby spider in tow). This time, exciting moments between Miles It is gwen (Hailee Steinfeld), like this Miles and his mother, show the young man maturing as he learns truths about the multiverse and faces an existential crisis, as he Through the Spider-Verse approaching a great adventure. a climax. The sequel honors and reimagines the Spider-Man mythos for a new generation of film fans with an artistic bent, a love for their characters and a willingness to bend the rules to create something special.”

Source: Rollingstone

You may also like