Irma Vepi at OCS: How much does this meta and unblocked series with Alicia Vikander cost?

Mira is a movie star who is disappointed with both her career and her recent breakup. She travels to France to play Irma Vep in a remake of the French silent film classic “Les Vampires.” In the process of filming, Mira realizes that the boundaries between her and the character she plays are beginning to blur and unite.

Irma Vep has been broadcasting in the US since June 7 at + 24 OCS at a rate of one episode per week. Watched episodes: 3/8.

With these HBO and A24 mini-series, Olivier Asayas adapts his own film Irma Vef Since 1996. Heirs Maggie Chung And Jean-Pierre Leo they are Alicia Vikander (Tomb Raider, Ex Machina) and Vincent McCain (Dog, night doctor). The American actress is not playing her role, but Mira, a Hollywood star who arrived in Paris for a French play directed by René Vidal (Vincent McCain).

In this series, starring Olivier Asayas, Alicia Vikander, but also Sam Levinson (Euphoria), by the way, prestigious French and international actors are attracted around the two main actors. This is how we find it Vincent Lacoste, Nora Hamzavi, Jana BalibarHipolito Girardo, Antoine Reinartz, Adria Ariona (6 Undergroud, Morbius), Byron Bauers (Concrete Cowboy), Tom Sturridge (Good Morning England, Sandman) as well as model Devon Ross.

It can be said that he was hosted with great fanfare in the cradle of the film festival, an environment that shines with humor and sophistication. After Twin Peaks or Top of the Lake, the Cannes Film Festival received Irma Vepi, signed by Olivier Asayas. The French director presents a feature film from the 1990s and offers a polished and successful retelling that is now being aired on OCS.

Thus, the mini-series of the same name covers the story of an international actor who arranges bags in France to shoot a remake of the silent classic “Les Vampires”. To change Maggie Chung And Jean-Pierre Leo Starring Olivier Asayas Alicia Vikander And Vincent McCainWho form an explosive duo in this mix of crime thriller and dramatic comedy.

Putting the cursor farther than in the original film, Olivier Asayas shares the world of cinema and utters meta and personal words about his vision of the industry with explosive humor and fascinating immersion behind these strange backdrops that will bring back good memories. Ten percent fans.

The series does not hesitate to click where it’s painful to mock certain repetitive thoughts (self) in the industry, such as the idea that “the series is an 8-hour movie,” while discussing the issues that affect members. Among the depressions in this industry are mental health, social pressures and financial problems, but also in terms of such (r) evolution as the new profession of intimate relationship coordinator and the questioning of power relations.

Life imitates art

Aside from the relevant and modern theme, Irma Vepi is also worth it for her highly refined aesthetics – and these animated fabulous titles – and the superposition of real-life sections, filming moments and restored scenes, “vampires”. “By Louis Fayled. In Olivier Asayas’ staging, everything is reflected – and reflected – everything is a mirror, and every sequence that oscillates between dream and reality answers Mira as questions to herself.

In the role of Mira, an actress who is frustrated with her career and distance from her former assistant, Alicia Vikander is surprised and reveals herself in an incandescent, destabilizing and, above all, very funny role that allows her to reveal other aspects of her acting. The rest of the cast, including Vincent McCain, Vincent Lacoste, Nora Hamza and Jean Balibar – but also international celebrities, are just as delicious and nutritious.

If Irma Vepi is an almost fantastic but compelling documentary in the fiction industry, it is also a social tale where the heroine breaks herself as well as the environment to which she belongs, for better or for worse. He who is accustomed to blockbusters that vampire the movie market can finally prove his worth in an authoring project that is close to his heart.

And despite the hardships and heartaches, Mira works hard and sincerely in a world where it is better to bare teeth than to even show a piece of vulnerability. And yet, it is this sensitivity that binds us to Mira and forces us to follow her journey through this life-size mise en abyme, both funny and disturbing.

So where does fiction end and where does reality begin? Questions about blurred boundaries that may not be answered as the creator and his cast easily get married to the various stories in the series, have fun with neuroses, and are definitely relieved. Be that as it may, Olivier Asayas has won the bet to offer us a refreshing and sharp gem of modern television, distinguished by a serial year that is quite lukewarm at the moment.