At the end of JA Bayonne Jurassic world: fallen kingdom, dinosaurs and humans begin to live side by side. While this sadly doesn’t mean that velociraptors are now Uber pilots (always give them five stars) or that stegosaurs have decent computer jobs, it provides a delightful premise for domination of the Jurassic world To explore; two species separated by 65 million years forced to coexist without electric fences or Bob Peck to contain the carnage. It’s an idea that Colin Trevorrow’s franchise finale ultimately ignores, once again choosing to lock his characters in studio-confined woods and dark corridors. It’s a messy and overcrowded affair, but it offers a hint of dinosaur-like goodness, reinforced by the return of the sacred trinity of the Sam Neill, Laura Dern and Jeff Goldblum franchise.
If Spielberg’s original is about the beauty of slow burning, Domain It kicks off in full swing, wreaking havoc at sea, dinosaur rescue and Wild West-style cattle drive, all with Parasaurolophus. Two plots emerge: one delves into the illicit black market in dinosaurs, the other is the near-secret story of an agent involving genetically engineered prehistoric lobsters, unified by the Biosyn company founded by Lewis Dodgson (Campbell Scott) of “Dodgson! It’s Dodgeson! fame from the first movie You should never trust a company whose name is marked “sin”.
It’s nice to see Dern, Neill and Goldblum sharing the same frame, the dynamic of serious scientists exasperated by the chaos of rock stars still gloriously intact.
Snippets of fantastic action scenes are strewn, from a chase on foot and by motorbike in Malta, to a winged snake shooting down a plane and a feathered dinosaur (finally) gliding under the ice. Best of the Group is a calmer, more suspenseful sequence in which Claire (Bryce Dallas Howard) takes refuge underwater with a huge beast lurking above her. But the film is at its best when it focuses on the original trio. It’s nice to see Dern, Neill and Goldblum sharing the same frame, the dynamic of serious scientists exasperated by the chaos of rock stars still gloriously intact. Goldblum, in particular, adds swagger and lightness to a film that risks becoming mischievous (it’s a nice touch that Malcolm tucked into Ellie’s DMs over the next several years, of course). that he did it). It also provides a stark contrast to the relatively colorless heroes of the latest trilogy, with Chris Pratt seemingly letting charisma flow from movie to movie and Howard having no character trait to hold onto (at least running in high heels was one thing. ).
Too many characters make it difficult to invest, an overabundance of creatures (those in CG look better than animatronic ones) dilute the power of a single Big Bad, and the speeches are sometimes clunky, leaving you jaw-dropping at the elegant display. from mr DNA. . Some of the recalls are handled clumsily, an iconic Laura Dern moment will go to waste in the beginning, while others offer just the right thrill; the characteristic sound of dilophosaurs filling the night sky is exciting. “It never gets old,” Sattler says of the joy of studying dinosaurs, but what is missing here is the awe and wonder of the series. If we live in a Jurassic world where dinosaurs are presented day by day, maybe it’s time to stop.
Source: Empire online
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