Marvel is radically changing its strategy for its series

Marvel Studios is in full inquiry regarding the future of the MCU series. While the writers’ strike – officially over – and the actors’ strike – still ongoing – have put a catastrophic brake on the airing of future plays and future projects, the firm seems to want to completely rethink its strategy for TV dramas.

• Marvel: Actors, writers strike threatens MCU boss’s ‘bright plan’

In addition to a complete overhaul of Daredevil: Born Again, which includes rewrites and reshoots, Marvel Studios wants to move away from mini-series or limited series in favor of longer series. The Hollywood Reporter.

company “Builds on the idea of ​​multi-season serialized television, moving away from the limited series format that defined it”. All of Marvel Studios’ television productions, from WandaVision to Secret Invasion, are limited series, with the exception of Loki, the only Marvel series to receive a second season, currently airing on Disney+.

What is the future of the Marvel series?

Is this new strategy the right one to give a needed push to a cinematic world that is on the wane? Nothing is less certain.

The firm wants to once again retain the loyalty of the audience, which has gradually lost interest in the MCU, as it is forced to watch movies and series to understand the issues of the new phase of the universe – not always well drawn.

With longer series, Marvel hopes to create a better connection between the characters and the audience, avoiding mini-series or limited series as just a stepping stone to a huge crossover.

Marvel Studios also wants to match the franchise’s noble character, as Marvel’s head of streaming, television and animation, Brad Winderbaum, explained:

“We’re trying to marry Marvel culture with traditional television culture. We’re interested in how to tell stories on television that honor what’s so great about the serial form itself.”.

Indeed, what The Hollywood Reporter has revealed provides some answers to the various failures of some Marvel Studios series. Thus, we learn about the existence of some disturbing methods and instructions regarding the production of these television fictions, which particularly troubled the screenwriters.

Thus, some left on their own due to creative differences, such as Jeremy Slater from Moon Knight; Others were fired, like Kyle Bradstreet secret invasion ; And others were pushed aside or had to be more or less forced to work with producers or directors, like Jessica Gao on She-Hulk.

Hence, we learn that the Marvel series never really had a showrunner, strictly speaking. We remind you that the showrunner is the person who is responsible for the daily monitoring of the television series and the consistency of the broadcast. This person is usually one of the creators, writers, producers and/or directors.

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Additionally, the entire series was produced without a solid pilot episode to provide the fundamental foundations of a television production, as is usually the case in the world of television.

Marvel Studios now wants to hire professionals who are entirely dedicated to the series branch of the studios, rather than calling in executives from the film branch.

Finally, Marvel Studios adopted the well-known “We’ll see that in post-production” strategy, where post-production was used to fix mistakes or tweak the overall vision of the series’ MCU. “Sometimes you get the impression that the director doesn’t matter”According to a person with knowledge of the process.

While waiting to see if these changes will be implemented for future productions, Marvel Studios has other series in the pipeline for Disney+, the first being Echo, which centers on Maya Lopez’s (Alaqua Cox) character from Hawkeye.

No specific date has been announced and the rest of the series postponed due to strikes will also arrive on unspecified dates.