For the moment, many people have seen Top Gun: Maverick and experienced the jaw-dropping fighter jet action that the film offers. Before the film, we heard a lot of the film’s commitment to putting that footage into practice and the work Tom Cruise and the rest of the cast went into making it. Director Joseph Kosinski previously explained how it was done and, perhaps more importantly, why it was needed.
A big part of why Top Gun: Maverick necessary to use real jets this, of course, is the only way Tom Cruise would have made the film. we know Cruise’s commitment to realism and director Joseph Kowalski, having previously done Cruise in Forgotten I knew it was. Beyond that, however, Kosinski also told an audience at CinemaCon earlier this year that the film not only needed practical visuals, it needed to be better than what was already available globally. The manager explained …
I had made films with Tom before, so I knew that not only is he able to do anything in this film, but it’s basically a requirement that he be as realistic and lifelike as possible. So I knew that was one of the key parts where the film had to be like this. I had seen these YouTube videos of Navy pilots mounting Go Pro cameras, putting them on the hood and filming their training. And you know, it just got done with a Go Pro on the internet. It was spectacular, in terms of the antennas it was better than anything I’ve seen in the cinema. So I showed it to Tom and said, “It’s available for free on the Internet. If we can’t get over it, there’s no point in making this film. ”
So it wasn’t just about getting footage of real fighter jets, it was about making them in ways that still wow audiences on the big screen. It certainly raised the bar, and that’s what ultimately led to the version of Top Gun: Maverick we’ve had and the crazy action sequences we’ve seen. They found out how to install multiple IMAX cameras in one booth. The film is a great IMAX show . Then I had to train the actors to be able to handle high intensity work. Kosinski continues …
He agreed, and then it started as a 15-month project to figure out how to put a camera in the cockpit. Honestly, where we come from, we have six IMAX quality cameras in the cockpit of these aircraft. He works closely with the Navy to do this. Of course, the next challenge was: I knew Tom could handle anything. [sic]. But could we have Glen? [Powell] take the plane? Being able to do whatever I had to do and all the rest of the actors. Then begins this long training program that Tom has designed for the preparation of the actors.
The best gun training program clearly it worked, but some like it Miles Teller had early health problems because of this. Eventually, all of them were lifted into the air and the result was some fantastic aerial combat sequences. If there is one best cannon 3 20 years from now, this film will have a lot of work.
Source: Cinemablend
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