Presented at the Directors’ Biweekly in Cannes in July 2021, Jean-Gabriel Perio’s “Return to Reims (fragments)” depicts the carefully selected archival images of the essay by the philosopher and sociologist Greater Eribon. Შ Meeting.
“Social progress is possible only through struggle. ” This suggestion was made by actress Adele Henel during the interview AlloCine, In itself summarizes the return to Reims (fragments). In his film, director Jean-Gabriel Perio adapts the essay of the same name by the great Eribon. In his book, published in 2009, the sociologist and philosopher describes his social environment – the working class, his family history, and his apostate travels in the classroom.
The feature film presented in two weeks by the directors at the 74th Cannes Film Festival is not a traditional adaptation. To bring new life to the author’s writings, the devoted filmmaker uses excerpts from feature films, documentaries, and television stories. To discover the rare moments that best reflect the original essay, Jean-Gabriel Perio spent months archiving footage.
“The difficulty is that we do not have access to it, because thanks to INA, we can find everything that has happened since the creation of French television.Claims the director. The problem here is the mass of sources. ” However Return to Reims (Fragments) I am interested in only a few, very specific aspects of the text of the Greater Eribon, the issues discussed are many: women working in factories, illegal abortions … “You have to watch everything so as not to miss anything and I assure you that the movies about divorce in the 1970s are a time of trouble.”
Adele Hennel and Jean-Gabriel Perio in Cannes, July 2021.
During his work, Jean-Gabriel Perio pointed to missing images that are never shown. “You will never see woodworkers or cleanersWorries he. There is even silly work in the films of the French Communist Party (PCF) or loyal directors. The maid is an absolute shame, we are not even talking about it. ”
It is tragic to think that children were already considered hardworking, subject to the issue of added value.
with Return to Reims (Fragments), This is the first time that Adele Hennel embodies the sound of a feature film. Didier reads the words of Eribon, he wants “Support the statement and make a point through the interpretation. ” He continues: “The film has a great degree of brightness. It manifests itself in two movements: we first talk about family experience and study genealogical branches over two generations to understand what social determinism is, class weight.. ”
“Then, in the second part, what I find interesting is the issue of alliances. How the attempt to silence the working class with revolutionary tendencies leads to the change of alliances from the national point of viewHe continues. Also, how capitalism and nationalism go along with racism. ”
Image “Return to Reims (Fragments)”.
Many images from the film refer to souls. Some are rare, others are hardly noticeable, for example, working children. “It is tragic to think that they were already considered hardworking is subject to question Capital increaseExplains Adele Henley. And it is this woman who describes her work in the factory. These are testimonies that we never hear directly. ”
with Return to Reims (Fragments)Jean-Gabriel Perio addresses all generations: “I showed this film to my nephew while still editing. He told me at the age of 16 that he was happy to live in the present era. He understood that natural freedom and achievement have a history of struggle and a continuation of it. “
Interview with Thomas Desrosch, Cannes, July 2021.
Return to Reims (excerpts) in theaters on March 30th.
Source: allocine
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