The 3-body problem on Netflix: Why the series from the creators of Game of Thrones is unavailable in China

The 3-body problem on Netflix: Why the series from the creators of Game of Thrones is unavailable in China

We waited for a long time and finally it came! Since its announcement, The 3-Body Problem has piqued the curiosity of sci-fi fans and ardent followers of the Game of Thrones creators.

According to Liu Cixin of China

Based on Liu Cixin’s best-selling novel, the series promised a dizzying immersion in a world rich in visuals and twists. However, despite its global launch on Netflix, the question remains: Why isn’t the series available in China, the country of origin of the novels’ author?

The answer to this question has its roots in China’s media and streaming platform access policies. Indeed, unlike many other regions of the world, Netflix is ​​not available in the Middle Kingdom.

The Chinese government’s strict regulatory restrictions on foreign media have resulted in the absence of streaming platforms in the country. So while The 3-Body Problem is streaming on Netflix in other parts of the world, Chinese viewers cannot legally access the series on that platform.

Two different worlds

This raises broader questions about the complex dynamics between the global entertainment market and local government regulation. As streaming platforms like Netflix try to expand their reach globally, they often face political and regulatory hurdles that prevent them from accessing certain markets, including China.

But China is not the only country interested. For similar reasons, Netflix is ​​not available in other countries and territories, such as Crimea, North Korea, Russia, and Syria.

As a result, Chinese fans of The 3-Body Problem may be forced to find alternative ways to watch the series, such as using Virtual Private Networks (VPNs), but at their own risk.

but 3 body problems Continuing to captivate audiences around the world, its absence in China underscores the challenges broadcasters and content creators face in an ever-changing global media landscape.

Source: Allocine

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