The Usual Suspects: The Movie’s End Explains Two Oscars

The Usual Suspects is an essential detective film that won an Oscar for its screenplay and follows the interrogation of a man named Verbal Kinty. This broken little crook is questioned after surviving a gruesome massacre on a freighter in Port San Pedro, California.

According to another witness, the main suspect in this massacre is the powerful and bloodthirsty Kaiser Söze, a legendary criminal whose name is enough to color the worst terror, whose true identity remains unknown and whose existence is sometimes questioned.

Directed by Kevin Spacey (whose performance earned him a second Oscar for the feature film), Kinty recounts what he saw and heard after he was arrested with four other thugs in New York City six weeks earlier after stealing a gun. But which of these five usual suspects actually matches up to Machiavelli’s Kaiser Sauze?

And who is John Liszt, the real killer who inspired Keyser Sose?

What should we learn from the grand finale?

Beyond the colorful character gallery, precise writing and now-legendary villain, it is above all its breathtaking conclusion and its extraordinary final twist that truly made The Usual Suspects a part of cinema history.

The most dangerous thing the devil ever used was to make everyone believe he didn’t exist.

It is with this famous line that the Usual Suspects as well as Verbal Kinty’s testimony ends. After recounting his encounter with the four other suspects, their indirect collaboration with Keyser Soze (whose lawyer Kobayashi seems to have only met), and the horrific attack on the freighter, Kint is able to leave the police station, free of all suspicion.

According to the information he was recently brought, the agent in charge of the case is now convinced that the culprit is Dean Keaton, one of the suspects, played by Gabriel Byrne. He is no longer in doubt. But his reassurance is short-lived.

Indeed, shortly after Kinty’s departure, as he allows his gaze to drift to the notice board in his office and the note written on the bottom of his coffee mug, the inspector observes that his interlocutor is going to make up most of the names in his story. , and in particular the famous “Kobayashi”.

While he desperately tries to catch up with Kint, whose sketch is being printed on the police station’s fax machines, the little lame thug is now walking up and down the street. He now steps forward without limping, with a firm and clear step: Keizer Soze.