“Dinner Dean Martin…”: Michelle Blanc singer, this was in 1985 and it was delicious.

“Dinner Dean Martin…”: Michelle Blanc singer, this was in 1985 and it was delicious.

Did you know that Michel Blanc also recorded 45 rpm in the 80s, a song that even made the Top 50 at the time? But it is Michel Blanc Therefore, that we are talking about “Le Mec Plus Ultra”, its title should be taken at face value and completely tasteful! This was a year after Marche à l’ombre, a song by Gérard Presgurwich and Patrick Michel, and that was it – and that made him the only one of the Splendid group to do it!

Finally, the more ultra-boyish is another of his characters, introduced in the text at the time (via Le Figaro) as “The Dean Martin of the diner, the Sinatra of the tobacco bar“: That says a lot. He even performed the song on TV and INA apparently preserved the performance for posterity.

Then, dressed in a purple tuxedo, surrounded by dancers and singers, he sang, believing that he was a born heartthrob to whom all girls were attracted: “From time to time I come for a drink, I leave after a croissant“, you get the idea.

It’s gold, and we let you discover it in action in the video below:

But beyond this parody, Michel Blanc First of all, he was passionate about music and especially classical music, which he played the piano in addition to singing.

On the music front, we find a well-known group of musicians at the helm of the title, led by composer and drummer Manu Kache. As Le Figaro suspects, the two men may have met on set Walk in the shade while Manu Kache He was Sophie Duez’s husband. Jean-Yves D’Angelo was on the keyboard, Michel Gauchet was on the saxophone, Kako Beso was on the trumpet, and Kamil Rustam was on the guitar.

For the cover of the record – the reflection of an actor in a mirror with a flute of champagne in hand – we are in the film Nuit d’ivresse (1986), adapted from the play created by Jossian Balasco. Michel Blanc in the previous year of the same name.

Michel Blanc As a heartthrob, it goes like this: It’s retro, kitsch, and cult as hell, and this man misses it terribly.

Source: Allocine

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