Gérard Junot, a member of the famous group Splendid, plays Nicolas Benamus in the comedy We Should Go to Greece from Wednesday.
In the feature film, the actress plays Christian Rousselot, a gynecologist who goes on holiday to Corsica for the first time with his family. After a car accident on Beauty Island, the neighbors come to prevent the vacation from starting. Family and island reckoning and misunderstandings ahead…
The feature film marks a post-Nanny reunion between director and actress (which Nicolas Benamoud co-directed with Philippe Lachaux). The opportunity to discover the highest rated film in the filmography of Gerard Junot. Hint: He doesn’t play a good part…
The highest rated movie starring Gerard Junot is…
With an average rating of 4.1 out of 5 stars for 50,655 ratings and 608 reviews, Jean-Marie Poire’s Santa Claus is Garbage is the highest rated movie in the world. Gerard Juneau. It is also the highest-rated film in the filmography of Jean-Marie Poire, Marie-Anne Chazelle, Christian Clavier (tied with Astérix et Obelix: Mission Cléopâtre), Josiane Balasko and Anémone.
This comedy, adapted from the band’s play of the same name, takes place in Paris on Christmas Eve at the SOS distress-friendship hotline. The latter is disrupted by the arrival of eccentric marginal characters who cause chain disasters. Gérard Junot plays Felix, who is forced to disguise himself as Santa Claus for his work.
A cult movie
Viewers appreciate the casting, dark humor and many lines that have become iconic throughout the period: “I don’t like to say bad things about people, but he’s really good.”“This is a yes “, “Just imagine that Teresa is not ugly, she does not have a simple physique … it is different.“, I didn’t throw stones, Pierre, but I was on the verge of irritation“…
JokerDreizen writes:A little gem of French comedy. The gags fly at incredible speed and the pacing is flawless. A concentration of iconic lines to die of laughter!” for Fandecoch, “Santa Claus is trash, really funny in film and play: a French comedy classic. The lines are iconic, the gags are iconic, the characters are iconic; Finally everything is iconic! It is truly a pure moment of joy and laughter. The situations are fun, funny, crazy and well thought out. The actors are all great and funny. This film is pure wonder, a must see and rewatch without moderation. Mythical and unforgettable, a masterpiece of French comedy.”
For ned123, the movie is “A “little” gem of dialogue, a comedy of bad faith and hilarity! It has become a true cult film, a masterpiece that has stood the test of time… What makes this film so modern is that behind its funny side lies a subtle critique of the right thinking it has become. The norm in the 21st century. All these colorful characters are really at the top and we’re so glad to have the Splendid troupe back…almost 40 years of humor. Well done!”
Florent B writes:We are no longer presenting this cult film, elevated to the status of a masterpiece of French comedy, where the lines fly, the comic situations abound and where the brilliant ensemble explodes. Despite being televised, we still enjoy this movie with great pleasure. Definitely a must have in your DVD library for any movie lover. In short, to see and see again.
A movie that has aged badly?
However, some viewers who didn’t see the movie when it came out think Santa Claus is trash, he’s aged badly. Antonio Perez notes that this film could no longer be made today: “A Christmas classic, unheard of these days. The film has aged well in terms of humor and overall feels like an adaptation of the original play. Awkward, funny and old, it still contains references familiar to the general public.”
Bartaba 1 wrote in 2015:The film has a very good reputation and that’s why I was waiting to see a masterpiece. There was nothing! I was very disappointed and only rarely laughed. I have already heard about the so-called iconic scenes in the film, but they did not make me laugh. A comedy that really bored me.“
For Prometheus:The movie has aged tremendously and doesn’t really make us laugh anymore, there are not a few smiles. Between dire and grotesque situations and moments of near-tragic social satire (think the close-up shot of the clavier’s teary face), the film veers between two genres without succeeding in either.
Source: Allocine
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
