Maria: Do you really sing Angelina Jolie in the movie legend?

After Natalie Portman Jackie was transformed into Kennedy, then Kristen Stewart Lady Dishi, Pablo Larin performs his trilogy on the 20th -century female icons, which is discussed today with the greatest legend in the history of the opera.

As in his two front parts of his triptich, Pablo Larin plays the contradiction between the public image and the star’s personal life that follows him, which is given above between his present and on stage of death and his glorious past. Sequences in which, inevitable, music and song are present, so much so that people are wondering very quickly if it is really the sound of Angelina Jolie, or Maria Callas.

At the beginning of the year through Paris, the director answered this question, with the nuance: “We have worked too much on this vocal aspect”He tells us. “If it was a movie about a pop -rock singer, we could have been more deceived and use technology to create an illusion because it will work. It is impossible to work with an opera, it is a vocal exercise that cannot be imitated.

“There is no issue of artificial intelligence here”

“The melody and the structure of the opera is very special and difficult. It is necessary to exercise to be able to get his song. It was important to achieve any credibility.

“It was also very good to do so, because it was the best way to get to know the character and it really came out. Always through music.” In the film published in our rooms on February 5, Pablo Larin shows how the song is a source of suffering for Maria Callas. And the training, followed by Angelina Jolie, allowed her to feel the same: “He also realized that physical posture needed to influence his walking and the path of movement.”

“He realized that the way of breathing an opera singer on his voice had the results. That has undoubtedly helped him get into the singer’s shoes, which we see is getting up in the morning.

Interview with Maximilien Pierrette in Paris on January 27, 2025