But what became the director of a man of sight and visual disorder, who blew at 30 candles last year? Treated at the advertising school, talented Italian-Canadian director Marco Brambila, who was now seventy, almost disappeared from the Hollywood traffick, after signing a film opposed to Sylvester Stallone and Wesley Snape.
If the filmmaker overshadowed Hollywood, he would mostly leave the return to the place where he shines. He has become a world -renowned video artist around the world, and he has been exhibited from November 2023 to January 2024 Centquatre (75019). The gate of paradiseWithin the framework of the International Biennial of Digital Art.
To go through Paris to submit his work, he granted it Interview with daily liberationAnd during the Hollywood period, he had some secrets about his past.
“I was afraid of Hollywood”
After working at Ridley and Tony Scott’s advertising company, he was hired at the age of 27 because he intended to demolish a man. The opportunity to discover that the project was initially not intended for him.
“It offered my friend David Fincher, but he was not available, so he advised me. The director was not afraid of this movie.
But I was afraid of Hollywood. I felt this enhanced atmosphere, this constant agitation, and this intensity in relationships completely low. First of all, I was afraid that I was hampered by the film I wanted. The script was funny, intellectual. The share was huge. ”
30 years after the release, he was still satisfied with the result: “The film is amazing compared to age. The vision of the future that it reflects is more relevant than we thought. ”
Why did you leave Hollywood village? “Because I came too late” He convinced him. “In Hollywood, until the end of the 1980s, the filmmakers had control over their films. My arrival in the early 90’s was in line with the time when it was producers who took control.
If you were Martin Skors Or James CameronYou can always have a hand. But if you started like me, it was no longer possible. There were some exceptions such as Quentin Tarantino” Paul Thomas Anderson… but it was the last. “
When filming the film producer, difficult relationships indicate that Joel Silver, which was distinguished, Marco Brambila came out of experience. And the desire to not be locked in the box where Hollywood manufacturers were looking for it: “After the demolition man, only films were offered to me: Judge Drades, Volt / face … I was happy with my film, but I didn’t want to transform the same thing.”
Barbie, an ad that disguises as a movie
The filmmaker fairly pointed to advertising and marketing in Hollywood, which even replaced the producers. “With producers, it was still a positive idea: some of them loved cinema and understood it. But with the marketing, advertising people.
We no longer ask you what your movie is talking about, but “What can we do? How to use it?” The rock -letter of this logic is crossed by the movie Barbie: “We attended the release of the first Hollywood feature film, located on the exact cross of the film and in the advertising place.
We have reached the moment when it is not only marketing strategies that decide on the content of the film, its story, the characters, but also when the finished product is just a giant advertisement that disguises as a film. ” Given that in the inner box of the film, which has returned Warner to more than $ 1.44 billion, the studios are not going to go to this new Martingala …
Source: Allocine
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
