The tools of an orchestra: perfect harmony of different sounds

An orchestra is generally divided into four families of tools: ropes, woods, metals and percussion. See each of them.

The ropes are violin, guitar, cello, bass bass and harp.

The wooden family covers flute, obo, clarinet and bundle.

The metals join in horn, trumpet, trombone and tuba.

The percussion has eardrums, fire, plates, triangular xylophone, Marimba, Glockenspiel and Tambourine.

Some orchestras also include piano and celestial, depending on the work done.

Violin: It has four strings tuned on Thursday, with an acute and bright sound. Created in Italy in the 16th century by Andrea Amati, evolved by the medieval rabeca. It is used for expressive melodies and leads the rope suit on the orchestra.

Viola: similar to the violin, but larger and with more serious and velvety sound. It emerged in Italy in the 16th century, also attributed to Andrea Amati. Connect the harmonies between violins and cello, bringing depth to the whole.

Piclulo: Great and touched leaning against the floor with a deep and emotional sound. Developed in Italy by Andrea Amati in the 16th century, as an evolution of Viola Gamba. It offers melodic and harmonious support, as well as significant land.

Offer: the largest and most serious strings, with full and deep sound. Originally in Europe in the fifteenth century, it evolved from the viral of the Renaissance. It provides the harmonic and rhythmic base, supporting the entire orchestra.

ARPA: It has several fingering strings, producing ethereal and crystalline sounds. Originated in ancient Egypt and modernized in France in the nineteenth century by Sébastien Érard. It adds color and brightness, with arpejid chords and angelic effects.

Flute: cylindrical tube of no rod, with light and agile sound. The modern cross flute was perfected in the nineteenth century by Thebald Boehm in Germany. It performs bright melodies and quick ornaments on the orchestra.

Oboé: USA Double Reed for a penetrating and expressive sound. He emerged in France in the seventeenth century, created by Jean Hotteterre and Michel Philidor. He leads the orchestral outlet and plays elegant and emotional melodies.

Clarinet: it has a simple palette and a large tonal extension, with smooth and versatile sound. Invented in Germany at the beginning of the eighteenth century by Johann Christoph Denner. It combines melodic agility with a rich harmony, connecting woods and metals.

Fagot: double pallets and long bent tube, with severe and velvety sound. Developed in the Renaissance and perfected in the seventeenth century by Ferrara Afrani in Italy. Plays comic evenings and melodies, which stands out for its flexibility

TRUSPE: tube wrapped with bright and penetrating sound. Used by antiquity, it was modernized in the nineteenth century with Heinrich Stölzel valves in Germany. Play Fanfare, heroic themes and vibrant soils.

Horn: tube wrapped with velvety and powerful sound. He evolved from hunting tools in France in the seventeenth century, perfected with Heinrich Stölzel valves. Connect the wood and the metals, playing noble melodies and deep harmonies.

Trombone: use a sliding stick to change the notes, with a powerful and versatile sound. It emerged in the Middle Ages as “Sacabuche” and was standardized in Italy in the fifteenth century. It stands out for its dramatic sound and significant soils.

Tuba: the most serious of metals, with full and deep sound. Created in the nineteenth century in Germany by Wilhelm Wieprecht and Johann Gottfried Moritz. Supports the harmonic base of the orchestra with power and depth.

Timpanes: adjustable pedal membranes, allowing a precise development. Originated in ancient Persia and adapted in Europe in the seventeenth century. They mark the rhythms, intensify the harmonies and create a dramatic tension.

Candy: severe and resonant sound drum, played with pillow wand. Used by ancient times, it was modernized in Europe in the nineteenth century. It gives rhythmic emphasis and solid impact in great moments.

Douts: shock metal records with explosive and extensive sound. Originated in Türkiye in the seventeenth century and introduced in the orchestra by European composers. Accentuate musical climax and dramatic transitions.

Triangle: small triangular metal, with acute and sparkling sound. Originated in the Middle Ages and developed in Europe in the eighteenth century. He adds the rhythmic shine and the effects of light on the melodies.

Xilophone: wooden keys played with chopsticks, producing a dry and percussive sound. Originated in Africa and made popular in Europe in the nineteenth century. It performs agile melodies with a characteristic stamp.

Marimba: similar to the xylophone, but with larger keys and resonators. Originated in Africa and perfected in Guatemala in the nineteenth century. It produces deep and melodic sounds, creating engaging passages.

Glockenspiel: metal keys played with chopsticks, emitting a bright and sharp sound. Bell inspired and developed in Germany in the eighteenth century. Complete the melodies with crystal clear shine

Tamborim: small hand drum with dry and rhythmic sound. It originated in Asia and made popular in Brazil with Samba. Accentuates the light and dance of the rhythms on the orchestra.

Plan: invented in Italy by Bartolomeo Cristofori in the eighteenth century as an evolution of the carnation nail. The keys guide hammers who meet ropes, creating various sounds in dynamic and tone.

Celesta – Created in France by Augustte mustel in 1886, inspired by Glockenspiel. The keys guide hammers that affect metal slides, producing a smooth and sparkling sound.