Without the title, this French comedy explores social items with spices!

What are you talking about?

Gin leaves the stress of urban life for several days to see her great friend Eliza, who has just been set up in the countryside. In the hearts of the neighboring Woods, the abandoned castle, which has become a third time, is distinguished by its collective initiatives. Eliza wants to invest in it, but between bottles and washing diapers, she has no time. Gin, as an activist in cities, does not see her interest. As for Amaury, a luxurious hotel promoter, the castle, he wants to buy it.

All three are in line with this place to turn to this place of mutual help and subjugation … but how long will this shelter be in this crazy world today?

Do you want a French comedy that is pouring a beat of track? Hello shelter should please! Director, script author and actress Judith Davis will blow a new wind on the French cinema with a spirit and inventor full of comedy. After 6 years, since I noticed everything I left in the revolution, Judith Davis returned with a singular film, spicy and often in a relevant tone.

“Life Feeling Undesirable Fill”

The film is not based on any title (the actor consists of a collective, the advantage of a suspicion that Judith Davis belongs to). Its engine is an alchemy that arises from this army, which can be remembered, for example, Navarre dogs (much less black humor). The whole bull in the eyes of Claire Dumass, Nadir Legrand, Judith Davis, Melanie Bestel, Machsenz Tual and Simon Bakhushi.

The starting point of the film is derived from the rather pessimistic observation of its screenwriter Judith Davis, its cost -hander Maya Hafar: “Involuntary filling of life, “open shelter”.

“Until this madness, we most often promise: his house, his couple, his work, his information on the wire … Everything I left from the revolution worked the same purpose: climbing these existential lanes until their collective dimension. I have already settled a group where several people were trying to share their thoughts in the world.“

“We no longer know what we are dreaming about”

And add: “Hello shelter so paints the mirror of our absurdity, but it also invites you to dream of a possible place. The task was tough! Of course, our imaginations are not far away from generalization. (…) Even if we can feel disturbing harassment, we no longer know what to dream about.“

The film exceeds various objects, such as mental burden, patriarchy, maternity, ecology and more widely psychological reflection.