The origin of the feature film is in a comedy the Iranian director saw in London about altruism; watch the trailer
There was an expectation that Asghar Farhadi would be nominated for the Oscarand that would have boosted the career of A hero at Cinema. But he’s been accused of plagiarism by one of his students in a screenwriting class, and A hero will debut only on Thursday 28. Farhadi was sentenced in April by an Iranian court. He has an impressive career. for movies like looking for Elly, The break up, The apartment And The past, he made the turnip, winning – twice – the Oscar, the Golden and Silver Bear, the Caesar, the Golden Globe. Even before the announcement of the 2022 Oscars, she spoke by phone with the reportage of the Estadio.
He confirmed what his fans already know: Farhadi loves stories that pose moral dilemmas. the one of A hero it’s about this man who can be arrested for non-payment and who finds a suitcase full of money that could change his life. But none of this is simple. “I like to portray ordinary people in exceptional situations. In life, look, there are many little stories that can make great films. Italian neorealism has been generous in that. When you have the story and the character, look at it. Rightly. The script. takes shape, it is a phase that I really like “. Farhadi deviated on the issue of plagiarism. He was sure that justice would acquit him, but it did not.
For the reporter, the key to the film is its ending. There is no risk of spoilers in the following statement. The – beautiful – result of A hero no dialogue. It reproduces a classic situation of the cinema of John Ford. In traces of hatredsince 1956, a door opens at the beginning e John Wayne he is arriving at his brother’s house, in the vastness of the West. In the same film, and it is the emblematic image that Farhadi reproduces, another door closes and Wayne is now outside. Farhadi says he didn’t think specifically about Ford, but admits that some strong images remain in the imagination.
heroes
Ford filmed the greatness of the losers. Farhadi goes against the grain: “What interests me is to show why society insists on keeping the so-called heroes at such high levels, impossible to reach due to human frailty”.
at the origin of A hero is a piece he saw in London about the altruism of foreigners who, regardless of the conditions in which they lived, were committed to returning objects that were forgotten or found on the street. “The theme haunted me, but I couldn’t find the right story. After my Spanish film – everyone already knowswith Penelope Cruz And Javier Bardem – I felt it was time to go back to something more personal, and this time A hero flowed. Each film has its time “.
Source: Terra
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