“Impeccable! We want more!” : Noted from 5 to 3.8, this is the best movie Fabrice Luchini!

Fabri Lucin is playing this week in Barbara Shultz’s adventure film, Khéops’ Secret. In this feature film, the French actress portrays Christian Robinson, a convincing archaeologist, that the treasure of Pharaoh Joops was hiding in France during the Napoleonic Egyptian campaign, as a mysterious inscription was discovered during a new excavation in Cairo.

With his daughter (Julia Pyaton) and her grandson (Gavril Dartevelle), then she began a wonderful treasure in Paris, from the Louvre’s dusty archive, to the secret firms of Malmison.

On the day of the feature film, discover the best movie in Fabrice Luchini’s career.

The average viewer for 5 stars from 5 to 6,565 and 619 criticism is François Ozon’s film, my crime, which is a favorite feature film of 90 feature films that appears an actor. As a notation, the film is located in front of the 6th floor and Violet Noseria.

Internet user Lefilcine writes: “Twenty years later 8 women, François Ozon returns to this genre, which has successfully, in particular, a comedy in a very theatrical style with many performers. Her very wealthy actress (Huppert, Luchini, Boon, Dussollier) is based on the shoulders of young actors who are still less well known but full of talent and therefore for the future: Rebecca Marder and Nadia Thereskevich. They are ridiculously distinguished and perfectly adapted to the atypical rhythm of the director’s story.

We are surprised from the very beginning with the theatrical phrases obtained by actors, which have not been used in recent years to see this type of film dialogues. Very fast, we adapt and appreciate. Where François Ozon is a little stronger, this is when he received Danny Bunny’s most unexpected focus! It is disturbing and it turns out that it is not very useful for this story. Fabrice Luchini and Isabelle Huppert are particularly convincing. Especially the latter, which is an eccentric role, arguing that his talent is so well adapted to comedy and especially in ozone cinema. The feminist theme is considered with surprising anachronism, but quite irony. Finally, the feature film is very nice with her beautiful casting, her harmful scenario and its unique style! ”

For Crossy1, “With very pleasant and poorly immoral activity, my crime makes the tools of Isabel Hupper’s thunder, which leads to a general excitation of the film’s rhythm and leads to a very tasty form of grotesque delirium, against which it is difficult.

All together, François OzonIt moves in the lightness and fluid of “modern” feminist messages, which did not sound like it was during this period of two wars. Nadia Tereszkiewicz and Rebecca Marder create a wonderful duo that does not suffer from the rest, especially with rich casting from lucin to nature, through Dusolier and Miriam BoerBy the way. No one will say that my crime is the main opus in Ozone’s career, but it is a sweet dessert that does not deserve to be in the mouth. ”

Audrey L. Comments: “By the mastery of actors, all their characters inhabited, My crime It fell into our heart. If the first minutes are afraid of verbal and theatrical films, we quickly realize that we are passionately meant to protect women’s rights (the message is never branded, but in the story with Finnish), entertaining replicas (misunderstandings, we often laugh!EBecca MarderMagnetic), ruled judge (Fabri Lucin, beyond incarnation), excessive architect (our only great complaint is this completely missed southern accent, otherwise the Dany Boon game sounds properly) and long teeth with long teeth (Isabel Huppert, very suitable).

The comic pace is perfect, the turnover and alternation of intrigue comes in time, everyone has fun in his role, not even trying to draw a blanket from himself, a strong impression on the choral movie, United, where only one character is missing. (…) And first of all, stay to read the final credits, it is full of (good) joking. A perfect crime.

Lastly, for a person “Cinema is always a beautiful escape when it provokes the audience is an anniversary of the interior, causing a blissful smile, tenderness to the characters, limitless excitement for translators, and the desire to end the credits to the end.” My crime, “François Ozon is the most fascinating, most delicious person who opposes a woman. In the abstract debate around reading.

But what a unique moment is that these women compete with the paternity of crime to benefit from it. Every exchange in the film is honey, where everyone paints a blanket to be in the spotlight. The world of our media, journalists and press, which fully receives the museum on its futile and immoral side. Not all protagonists are very beautiful and delighted with pillows to appear again. The world of illusions, the perfect reflection of our time, even if we convince ourselves by placing ourselves in the 1930s. We want more! “