This is one of the most beautiful music in the cinema: after 41 years, the emotion that provides it is always unreasonable

41 years ago, on May 23, 1984, Sergio Leone offered us a final masterpiece, an absolutely unusual vow, and Twilight Fresco: once in America. At the top of his art by Robert de Niro, the film is made in New York at the end of the ban.

Noodles (De Niro) take refuge in opium smoking after a blow that has been completed wrong. More than 30 years later, he returned to the city and remembers the past of his gangster: his youth in the 1920s, marked by meeting his friend Max and many of their trafficks in the Jewish ghetto of the city before the ban.

During these years, his group, which is related to deep friendship, has been enriched and pointed to his climb in the underworld thanks to illegal alcohol trade. Noodles also remembers his terrible romantic relationship with Deborah throughout his life. Once in America there was a dense and exciting Twilight work, the last part of the famous trilogy by Sergio Leon and the latest filmmaker.

Enio Morikoni, Divine Maestro

With the exciting pictures of his monumental fresco in music, the director clearly called on a continuous companion, composer Enio Moricon. “Together with Sergio, my collaboration began as soon as he told me about the movie. He told me in detail, even if he explained the framework”Explains the musician in a fabulous documentary, directed by Giuseppe Tornator.

From melancholy, which is bordered by divine grace, in this feature film Morricon’s music is absolutely brilliant. Each theme for the ears is angry, as if the angel had moved on to us to forget about sweet wealth. However, the melody is distinguished from Maestro Morricon: Deborah’s theme.

This character, performed by Jennifer Connell, is then Elizabeth McGvern, a great childhood love and a teenager of raw materials. It represents the innocence of this period and the stir of the first feelings. The protagonist of the film will never recover that he has lost this love and the theme of Deborah, which is distinguished by his silky sadness and fluffy nostalgia, will be a strong symbol.

“Without this music, I can’t imagine a movie. I don’t understand to see it without listening to this music”The chant, though, Italian singer Gianni Morand.

The end of innocence

Timely and universal, this shimmering talks to everyone and manages to penetrate deep into our souls. In these notes there is really a spiritual dimension that is especially resonant of society. They symbolize the rebellious innocence, loves forever lost, the friendship of the past has now disappeared.

Deborah’s topic led by Enio Morcon:

“Often, Sergio asked me to write before filming. At this time Sergio was caught in doubt. He told me: Tell me another topic.Morikon said about Deborah Mellopi.

“This is a topic I have written in the United States for a movie Infinite love * Franco Zephyrian. For the scene, Zephyrians wanted to sing another composer’s song. I heard him the topic of Zephyrel, which became Deborah. He liked it very much and for me and today.

Hans Zimer’s analysis

Documentary Enio, famous composer Hans Zimmer talks about the topic of Leone’s film music and Deborah. “Once upon a time in America, the smallest work is the original discovery, the original instrumentation “For the first time he exhibits the artist.

“On Deborah, it begins with a low note that extends and it is very deliberately evolving towards another note. Ennio tells the story of this record.Analyzes the musician.

Keep in mind that Sergio Leone liked playing Morricone Music on the board, set great dynamics everywhere. “Listen to music, impress the actors and technicians”Rafael Leone said, Sergio’s daughter. “My father’s movies depended on the music of Enio “He continued.

“He wanted it to be like that. In my father’s films, music was much more than the movie’s music. It was definitely a movie dialogue.Said Rafael Leone.

In conclusion, let’s leave the word from the bottom to the late Italian composer, Boris Porena, an excellent poet of music. “After Ilie once was in America, I remember, I said to myself: It’s a ruin, there is something that goes beyond the idea that the film usually happens.”