We have this chaos tomorrow! In fact, Sidon’s arrival has caused a real mess in Timothy’s life. Before the young man began to fall in love, he fell high when he learned that he had only one idea: he discovered the truth about his mother’s death!
A suspended plot for Gregoir Champion, who used the opportunity to persuade the distribution microphone! And you will find that the rest is so horrible:
Separation: What do you look at Timothy’s evolution, because tomorrow your arrival belongs to us?
Gregoir Champion: I am very pleased with this because Timothy is a major challenge because it is autistic and the more in everyday life. This is a format that requires it to turn quite quickly, so the challenge is to play characters as difficult as they are on the formats.
We have real discussions with production to know what we are doing with the character, and where I, as an actor, I can uphold things, postpone things so that they can get in touch with the format.
They were very attentive and had found a fabulous idea a year and a half ago: to do Timothy’s work in the technical and scientific police. As an actor, it is wonderful because it brings many things. Today I am very pleased with the evolution of the character.
You represent a young man with autism, do you think this type of role promotes the public to better understand the reality of autism and what message do you want to transmit through your character?
Hope, at least. I hope this will help to inform things and that is what our job is used. Whatever you do as a program, whether it be a television, in a movie theater, in a theater or anywhere, even on YouTube, it is used to know what we do not know.
I hope this allows them to know that autism exists. After that, I hope, and there, I am more appealing to people who have this syndrome, that he has been interpreted in the right way and that I am quite fair to the reality of the subjects. This is my challenge from the beginning!
I hope it increases the minimum and at least it allows people to realize that there are differences, but it is not important. You need to know about it, but you don’t have to make it inevitable.
In the intrigue, Sidon has just arrived in the set, but we know that Timothy already knew it. Why didn’t he admit it?
Just because they knew each other when they were five years old. Years have passed, at least it is a bit difficult to recognize someone. So it’s fifteen or sixteen! It is impossible. Even autistic and fabulous memory, it is difficult.
In fact, Sidon approached Timothy to examine his mother Stephanie Ratjsky’s death. How does he react to this betrayal?
For him, first of all, this is a relationship with romantic relationships. This is an opportunity for a romantic relationship that he has had for years and has not had little access so far. Only twice! But, he never got any specific, at least at length.
There he meets a person with whom he has many things that are the same as him. Excellent! We all dream about it, except that it turns out that only the investigation of the death of Sidonia’s mother is only insidious.
For him, so it is more of a betrayal of love than everything before he begins a lot of questions: “How do you go romantic relationships between people?”
This is impossible for him. People are a lie. How do they want to create romantic relationships based on lies? He thinks it is stupid, so he questions his opinion about love.
What memory do you have from these intrigue? Do you have a scene you love to shoot? The scene is difficult to shoot?
There are scenes that I loved so much. I think of all the confessions of the religion and which affects the relationships that my father has with Victor’s character. I play them with Farouk Bermouga, who explains my father. It turns out that we are very close to life and that is a bit of my teacher’s profession.
It was the one who taught me the basics of the profession. If I know my job, as I know today, this is mainly thanks to this man. So I really love to play with him. In addition, we had scenes that the director calls David Lanzman, which we really appreciate.
It was very pleasant as a tray, it was very quiet. With Faruk, we had scenes with a very sincere emotion, and it was very pleasant to shoot. It was really very beautiful.
On the other hand, which is always difficult for me, there are autism attacks. When they interfere, they ask me a lot of energy. These are scenes that are immediately for food for the actor, because either we do too much and do not believe, or we do not do it enough.
You have to find the right middle. This is always very difficult. In every scene where autism is really strong, it is generally where I fight the most.
What are your other projects?
I have nothing to plan! If TV channels are looking for an actor, I’m here!
Source: Allocine
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
