Cache: Michelle Lelbank touched the heart and ridiculous closed.

A special casting

The 9 -year -old Christophe saw the events of May 68, which was hidden in a grandparents in Paris, in the Paris family apartment, surrounded by uncles and his grandmother. Every bivouac around the mysterious cache that gradually reveals its secrets …

In the cache, director Lionel Bayer forms an energetic family fresco throughout France, with all choices: Dominic Raymond (Kass Dog), Lillian Rover (ten percent), William Lebghili (quite beautiful) and Michelle Blank One of the one of.

Family in the heart of May 68

Although the student uprising is born in France, the cache side occupies this historic event through the inner field. Inspired by Christof Boltansky’s autobiographical novel, the film still offers a singular question. If in the book, May 68 is only a short passage, the story of the story becomes here.

This forced withdrawal in the family apartment Rue de Grenelle then becomes an external tension mirror: libertarian aspirations to traditions or political ideals that oppose reality, Lionel Bayer conquered this duality with Finnish, how May 68 can breathe as a source of hope and its modernity.

Weight of unmarried and family secrets

If you are swollen and debated in a resonant cache, it is often silent and the beliefs that the real issues of the film are hidden. Each family member contains buried injuries and never recognizes the truths. Lionel Bayer skillfully plays in this absence and with these dishonesty, thus, in an atmosphere in which the implicit becomes as strong as words. Because mostly viewers quickly understand what silence means.

“” “In cinema, Shoa is often seen as a historical event in a timely manner, and for me, it is a process that began in 1933 and continues today, whether we wanted it.“Explains the filmmaker.”What is not said is exactly what I try to show. I always wanted to round the movie during this history, but I didn’t want to shoot a Nazi uniform, I couldn’t see myself on the team to ask for a slightly better light in his skull.Adds Lionel Bayer. Kristof Boltansky’s novel characters always talk before and after the war. I saw this as Lubitchian’s elegance I could shoot.»

Far from simple decoration, this well -known hiding itself becomes a symbol of buried memories that we want to silence, but which still forms the identity of each.

Between lightness and gravity, Cache recalls that it is humorous and fiction that we find the best way to do so. You can now discover the movie in the dining room.