After the funny paternity was examined at Starbuck’s, Quebec director Ken Scott returns with the adaptation of the autobiographical novel by Roland Perez, my mother, God and Silvi Vartan, my mother, God and Silvi Vartan, a strong tribute to his mother and all mothers.
This is actress Leila Behti, who gives her features Esther, Roland’s mother, her 30th anniversary until her 85th birthday. This trait begins in 1963, Roland, from the latest large family, Bob’s foot was born to prevent him from standing. Contrary to the advice of everyone, Esther promises his son that he will have a fabulous life like others. Therefore, it does not stop everything to fulfill this promise. For decades, with the miracles of trials and life, this film is a real, funny and huge story story, there is an incredible fate and great love: for the mother’s son.
If a young naive naji performs the hero during his childhood, it is Jonathan Cohen, who gives his qualities to Roland Adult. After the fire, the duo of friends Becht / Cohen considers himself a completely different dynamics: the embodiment of the mother and her son.
What do the first viewers of the feature film think? 353 with a note and 159 criticism at a time when we write these lines, Mother, God and Silvi Vartan He has average spectators, with 4.2 stars from 5.
Positive opinion that has left a positive opinion assesses Leila Behti’s interpretation, the emotional impact of this real story, and the balance between drama and comedy.
Emotional film
Kerguelen writes: “Lela is wonderful in her role and what a pleasure it is to find Jonatan in the “non -profit” role. A wonderful and brilliant story with a wonderful casting, and if you don’t like Silvi rose, it’s not very serious, we don’t see it much.
For REMYPLL: “It is stunning, excited, moving, and so funny. The director will succeed in the layout of rare emotions on the screen.
AK F Comments: “God could not be everywhere, so he created mothers.” What a comfort! Cold, convinced tears and laughter, it is absolutely necessary to see this movie, if only for the story (true), which is simply unthinkable. Leila Beht is terribly convincing as a Jewish mother of Morocco. Wonderful tribute to mothers, God and Silvi Vartan.

For Studio55, my mother, God and Silvi Vartan are : “FA -BU -UX !!! Incredible, but true story, and actors Jonatan Cohen and Leila Beht are more true than life and very moving. The film that goes to the speed of light.”
Davsmad adds: “My mother, God, and Silvi Vartan are much more than the film: it’s a unique emotional experience. With rare sensitivity, the director combines faith, family and music to create universal and huge works.
For Charles-Max is this movie “With great tenderness. This mother for her son. That woman will never lose faith. Mother who never gives up her son and who will make the primary promise: she will offer a happy life at all costs.

For Juliet M, this is: “Very nice film. Obviously, there are drawbacks (Sylvie Vartan Young’s face, digital transformation), a game of actors that sometimes sound a little fake … but that it moves! This mother’s portrait, who struggles for her son, does not hesitate to touch life aside. But the great strength of the film is that with its universal subject, it makes us ask ourselves questions about mother and raise children. It’s strong and sweet. “
Viewers who have left a less positive opinion are criticized for excessive emotion, as well as for creating and visual effects that they consider uneven.
Makeup and uneven effects
Thus, Koral writes: “A dramatic comedy has conducted a drum that denotes a specified mother character who never appears to her son’s “healing” and the ability of her son to “like others”. Initial postulate that can be questioned, but which is part of the context of the 60s.
This equilibrium between comedy and drama is less successful throughout the film: many subjects, many events that have to be said to be slightly softened. It is also a shame that secondary characters do not exist, everything around this mother and her son. Little is lost, which made it a big movie, but it is still a long time and why not restore nostalgia for the Yayey period. ”

For Cla B, the movie “PAs bad. But everything is said in his trailer … frustration, moreover, makeup-is not very successful and not very aesthetic. ”
Let’s note the attributes of the movie 2 stars for it and the comments: “The first part that corresponds to Roland’s childhood and adolescence, the highest point, the fault of repeating the same narrative formula that is summarized: never arise in everyday life, never mind real emotion, everything is related to fast and bad, rhythmic songs that artificially blast its dynamism and stimuli.
Leila Behti’s outrageous interpretation of a tense viewer who does not already know where to settle, is lost in front of the pictures and sounds that do not rescue; The character’s old age reduces these funny flashes, the second part of the story, which then finds some depth and poetry, though simple and stereotypical.

We are far from far from the courage of Xavier Dolan, the nostalgic praise of paginal novels and adaptations, or the original reflection of the mother’s property, which is, by the way, by Eva Jonesko in my little princess (2011). This is a feature film that is terribly lacking in person, and that the existence of Silvi Vartan is not enough to sing.
For sre: “Everything in this film sounds false, gathering the most shameless shots and multiplying the shooting scenes. The whole boundaries are funny and quickly become painful on the final scene of the unbearable claim. ”
In conclusion, most viewers appreciate the interpretation of Leila Beht and the strength of the story that is mixed with a mixed mix of drama and comedies. Others regret the lack of depth of emotion, uneven makeup and secondary characters. A film that leaves no indifference and which, despite its shortcomings, is respected by mothers and unconditional love.
Mother, God and Silvi Vartan Currently seen in cinema.
Source: Allocine

Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.